world
The Man’s Guide to Love
All over the country, these folks have been asking men:
“If you had one piece of advice that you’d give another man about love, what would it be?â€
Click the photo to see and listen to their answers:
the steelpan gets a new coat of paint
Steelpans may be the friendliest instrument of all – unless you can think of one that’s any friendlier…?
This particular steelpan is not full-sized but still has an incredible sound. It’s tuned diatonically and is a magnet to even the slightly curious. Something about it makes it less intimidating than it is friendly.
It’s not an instrument to be used in every song or arrangement but anytime it’s played it injects the space with its festive mode. It has an easy feel to it, played with small, wooden mallets with rubber tubing on the ends for tips. An old pal showed me how to swirl various sized metal balls around the inside to make a hypnotic sound.
From Wikipedia:
The first instruments developed in the evolution of steelpan were Tamboo-Bamboos, tunable sticks made of bamboo wood. These were hit onto the ground and with other sticks in order to produce sound.
pixelier: antes y dispues
Bergey made some things that inspired me to start tinkering with stills digitally and call it pixeliering, which is a meager attempt at adding an element of painting to digital images:
Click on that first image right there to see before and after examples larger and more in charger:
This is cool and I like the way the digital mixes together with the analog. These are very time consuming to make so I only have a few of them to show but this is one of my favorites, so far:
fate and the wall
A wall is accidentally knocked over leading to a discussion about the roles of choice and fate across cultures.
1:20 over Southeast
I was only a little let down when the pilot played Enya over the comm as we lifted off for this chopper pass of Juneau because, after all, i was in the cockpit of an AStar-B2 and we were batting the air over Southeastern Alaska. I was riding shotgun. Z was in the back with Lou, who was shooting.
If i’d had my druthers, i’d have chosen this section of live audio of Jerry and the boys from MSG in September of 1991 so i threw this together quick-like in QTPro as a meager, self-indulgent attempt at redemption – special thanks to
http://vimeo.com/tweeprise
Today’s Solar Wind Forecast
While living in Alaska, I had a heavy habit of checking this every day: a groovily-nerdy resource provided by the University of Alaska’s Geophysical Institute:
The Music of Conrad Praetzel and Clothesline Revival
The best music you may not have heard of comes from the imagination and inspiration of Conrad Praetzel, an archaeologist-turned-musician living in Northern California, who makes soulful music under the moniker Clothesline Revival.
Collaborating with great musical forces in the world, including Charlie Musselwhite, Sukhawat Ali Khan, Robert Powell, Rounder Records, the field recordings of John and Alan Lomax, among others, Praetzel continues to turn out a unique sound. With timeless qualities of a simpler era and yet also a contemporary tone, his music has a singular style making it hard to categorize. Cinematic and real, perhaps.
Long Gone, Of My Native Land, Receive, EnTrance, Myths and Memories, Between Previous and Past are each a different feel and distinct combination of players, instruments and styles.
They Came From Somewhere is Praetzel’s first collection of all original compositions in over ten years, featuring legendary blues artist Charlie Musselwhite and is being released soon.
Highly recommended listening – some samples and links to purchase available via Conrad’s record label, Paleo Music.
Goodbye Solo
Every now and then a film moves me, lifts and tosses about my sense of the world, of knowing myself and my own culture, let alone the cultures of others and where mine fits in. Then, it sets me down gently, back in the place I was to begin with. Only then, the place looks a whole lot different. Better? Not necessarily. Worse? Not necessarily. Just – different.
Yesterday a good pal showed up and had brought me Goodbye Solo. I watched it not once but twice before falling to sleep with images of Souléymane Sy Savané, Red West and the road ahead of all of us, wherever or whatever our situation.
One of the most beautiful things about this film is how Ramin Bahrani chose to tell it visually. The cinema of the whole thing is masterful. The relationship between these two unlikely characters is developed elegantly without a hint of muscle-y force.
I could rant on and on about the reasons why I love it, why this is a film to be celebrated but for two reasons I will leave you in peace: 1) I do not wish to dilute it for anyone reading this who has not yet taken it in, and 2) I already did so at length to my pal who brought it to me, thanking him for the gift of spending 91 minutes of my life watching the work of a truly gifted filmmaker who should be an inspiration to generations of filmmakers to come.
Thank you, Ramin.
Neil Postman: Education as a Cure for Stupidity (Part I)
Who is Neil Postman?
Wanna watch more? I sure did. Click here.
Ken Burns on filmmaking
If you wanted to be a doctor or a lawyer or a feature film I could tell you the steps to take to do that, but every working documentary filmmaker I know has gotten there through their own unique path. There is no career path.
10secondfilms.org
Some think content will keep getting longer and longer until movies are 3 and 4 hours long. That’s fine. OK with us. We also like the idea of not spending 3 or 4 hours to get something out of it.
Like music, there is a time and place for a long song and a short one. We like them both. We do listen to waaay more short songs than long ones, though. This is the reason we love still images more than films. If our house was on fire and we had to save still images or films, we would have to save the stills. We know. Sounds surprising! We work in motion but, like most of our favorite filmmakers, we think in stills. Moments. In a moment, a still image can change our lives. Films take a little longer.
Which is one reason we created and curate 10secondfilms.org. In 10 moments, a film can pack quite a wallop. Some maybe not so much, but are still worthy as friendly exercises in media literacy.
Howard Rheingold called this site “genius, funny, and yes, friendly expression of participation media literacy” via his Twitter account.
Gever Tulley also commented on it using the most appropriate phrase ever: “oddly compelling” – also via Twitter.
Compliments coming from fellas like these make us feel pretty darn swell, to say the least. Thank you, Gever and Howard. You both have our most humble admiration and deepest respect.
This is all just to say that we believe the experience of producing media should be a friendly one for all ages, especially as technology can still be an obstacle to the creative process for many of us. As an exercise in media and visual literacies, the 10-second format is vital. It minimizes the need for complex tools. These moments as movies are gratifying and occasionally inspire larger, more ambitious projects.
Make a 10 second film with any device that captures motion pictures.
No editing — One take — 10 seconds maximum length — Sound is optional.
Have a 10 second film you like?
We’d love to hear about it and perhaps even feature it on the site – click here to tell us more.
Meanwhile, thanks for reading and — keep playing.
On Generosity
One thing keeps coming into my mind now that I’ve been back in Spain from Senegal for a couple of weeks: grace and generosity are a completely different sport there, as shown to us by our hosts. It was astonishingly unlike anything I’d ever experienced before. Anywhere.
Generosity is the habit of giving freely without coercion, which leads my mind to something else: while there, our hosts would typically and immediately describe to us their need, listing specifics in some cases, leaving no margin for egotism or hidden agendas. They relinquished any such notions, admitting freely that they needed our help and welcomed us wholeheartedly into their intimate communities. The best part of this is: this freed us all up to then enjoy each others company in earnest, having gotten the “business” of expectations quickly out of the way.
In the developed world, it’s all about the poker face, which I wonder what the effect of is, exactly, over time to the way we relate to each other.
Once past the meeting stage, the graciousness displayed by all of our hosts was unrivaled. Truly. Letting a complete stranger into their home to film them: me and my camera shooting the poverty surrounding them and yet also how little it seems to matter to their general satisfaction with their lives. The people of Keur Mbaye Fall need little to make them happy. In contrast, I worked hard not to project my own guilt about taking so much for granted in my own life, for having problems that aren’t really problems at all outside of the traps my Western mind sets for itself for seemingly no reason at all.
One example of what I mean is worth relating here: after one particularly long and hot work day, one of the community leaders invited a few of us to his home to wash our hands and faces. Upon entering, I felt a most peculiar feeling come over me. It felt familiar. Deja vu. Familiar as if from an early childhood memory, from a room in my mind that had had its door shut a long time ago, only to have it opened on this day. It certainly could have been the heat, however, I choose to believe there was much more to it than that.
Upon preparing to leave his home and return to our team and the shuttle that would return us to the compound where we were staying, he offered us the most unlikely of things: from a freezer (photo below) he removed four small, plastic baggies, twisted in half with an orange-ish substance in them. As soon as he placed one in my hand (it was cold, frozen) my entire body shuddered from the shock of it – pleasantly. I was stunned. Here was a man who had exponentially less than any of us could ever imagine, sharing something of a most exquisite nature with us, something not just anyone could acquire in this place. Something that surely took him a great deal of trouble to finagle into his own life for his own family and here he was, sharing it freely as if it were no trouble at all.
As we left the shady comfort of his home, we bit off a corner of our baggies and began manipulating the frozen stuff out through the hole using our lips to smash it gently without further tearing the baggy. It tasted not unlike a Push-Up, yet another childhood memory that I couldn’t have known would be connected to this day. I dawdled along behind the others, savoring it, wondering whatever had I done to deserve such an amazing experience and this selfless and so very fine a gift from a man of such simple means. Right then and there I stopped in the middle of the road and stood, humbled, with a cool and soothing ice cream in the harsh desert climate of Africa.
Here, Now
Easy to take this all for granted. Breathing. Walking. Seeing. Feeling. Any sense. Pick one. And it’s even easier to stroll through this whole thing blind to the possibility that this may just very well all be some dream. We know nothing about what any of us are doing here.
In the meantime, we find things to make it about: for some, it’s about love and a sense of belonging. For many it appears to be money and fame. That’s surprising, isn’t it? Celebrity only seems to present new problems. It doesn’t change anything. It steals privacy, creates further issues with identity, but doesn’t provide any solutions for this singular dilemma. Nothing does.
So I am writing this to myself.
When people die, people close to us, it kindles something. What is that feeling? It makes me calm, reminds me of our connectivity to everything. It may be morbid, but I am oddly comforted by that loneliness, walking around in that stupor. Pleased to be again so intimately conscious that we have no control over any of this schwack. I am at peace within the moments of tragedy in a way I cannot be to quite the same degree otherwise. i don’t need anything in those times. I’m not hungry or thirsty. I’m not tired. I just seem to be picking up some signal that can’t be known coming from somewhere, everywhere. Call it shock if you want. There’s something more going on there, something unseen that has properties. As if ocean waves generate this frequency that we haven’t even considered the possibility of, or clouds being ghosts that have trapped themselves here, not having let go of their lives here on Earth yet. I laugh at what we think we know. Even if it is correct, it is always, ALWAYS, only the tip of the iceberg.
We can buy this, travel there, pretend to be this or that but it doesn’t help.
As Vonnegut used to say:
“We are what we pretend to be, so we must be careful what we pretend to be.”
Are we evolving closer or further away from this awareness? What are the advantages of each? Disadvantages?
What could this awareness do for us? Is it important?
Does it change how we treat each other? Ourselves?
Do we care?
Temple Grandin: The World Needs all kinds of Minds
Temple Grandin, diagnosed with autism as a child, talks about how her mind works — sharing her ability to “think in pictures,” which helps her solve problems that neurotypical brains might miss. She makes the case that the world needs people on the autism spectrum: visual thinkers, pattern thinkers, verbal thinkers, and all kinds of smart geeky kids.
Education at its Finest
BFIS and Habitat for Humanity in Senegal
A small window into the experience of students from the Benjamin Franklin International School in Barcelona who spent a week near Dakar, Senegal in Keur Mbaye Fall, working in collaboration with Habitat for Humanity.
“If we wish to teach fish to swim, it helps if we put them in the water”
Senegal 2010
The Senegalese are among the friendliest people in the world. Given the challenges they face as a people, this is magnified ten-fold when considering the grace with which they shared their homes and hearts with us this past week. Below is a rather large sampling of still images from our week-long visit to work with Habitat for Humanity outside of Dakar. We are grateful to the people there for their kindness and generosity and are very happy we could make a contribution to their community.
Dakar
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As I write this, I am taking meds to fight off malaria. I am leaving for Dakar this morning for a week and the meds are a final, though ongoing, step in a series of vaccines administered to me en masse (The first of two rounds knocked me for a loop for a week. I had not ever felt that kind of energy depletion as my body immediately began building up antigens, fighting off the militia of micro-infections introduced into it) in preparation for the trip. The bottle told me to start taking them two days before entering the malaria risk zone. It says to take with food. It says to take them with plenty of water. It says to take one every day I am in the malaria risk zone. It says to continue taking them for 4 weeks after I return.
I should be surprised at the types of reactions I get upon telling others where I am headed and what steps I have have been required to take in order to be eligible to go, but I cannot say that I am, given the current mode of the media, especially in the West, full of anger and fear, some justified, though mostly misguided. The information given out at the infectious disease center is intimidating enough to make many change their travel plans. I have heard stories from others about these malaria meds who have experienced nightmares throughout the prescribed duration. This is all to say that the general culture in the developed world effectively conditions us to be afraid of anything that poses even the slightest amount of risk – and there are plenty of excuses around for us to use and give in to it.
Before today, I have not stepped foot upon the continent of Africa. I honestly do not know what I am expecting. When I think of Africa, the only images and ideas that come to mind are not my own. They are the images and sounds of films, emblazoned with romance and exotic, timeless beauty or violence and timeless unrest. Then there are the various agendas of the associated news agencies and television ad campaigns to raise money for the developing world, full of images chosen exclusively for their compelling attributes. All told, a polarized mix of love and hate, reverence and fear.
There are many ways of interpreting those messages. Realities are ethereal things, existential and elusive. They are relative, just like the physical. Like biology. What constitutes a cold to one person, requiring a trip to the doctor, may be just a sniffle to another. So they wait it out and in a couple of days they are just fine.
I do not know what we will eat there or if the water will agree with us. I do not know how I will fare in the heat of the day while filming the team. I do not even know if there will be enough electricity to power the equipment I will be using to shoot. I have learned what little I can about the region from what is posted on the CIA’s World Fact Book and related sites about the history, populations, languages, political and economic stability of the region. The work of Ben Herson, Democracy in Dakar, is some of the more current, compelling and poignant information out there and I am thankful for it – the struggle of the Senegalese people, politically similar to that in other regions of the world, is set apart by the conditions under which they muster the spirit to persevere in order to bring change and any improvement in their quality of life. How they manage to create such beautifully compelling art amidst such adversity and poor living conditions is a triumph in and of itself.
I do know that I feel a sense of mystique about it, having been so glorified by my own culture as a key piece of the anthropological record and also demonized for the strange differences of culture hidden within it. Is it natural for us to fear or discount what we do not understand? My culture has made the same mistakes as those that have gone before it – including insulating its people with convenience and luxury, softening minds and hardening hearts.
Naturally, I am invigorated by the idea of leaving these burdens behind if only for a few days. The mere thought of what it will be like to see, taste, smell, hear and feel Dakar for myself stirs butterflies of the best kind within. However, I am clumsy the way others are graceful. My only concern about the journey is making some bumbling move or inadvertently inconsiderate statement relating to something I take for granted in front of our less fortunate hosts. A good solution for this: I am focused on doing more listening and less talking, which should serve us all well. Being behind a camera lends itself to this.
The trip will mean something different to each of us on the team, though our primary goals are the same. One of the goals is clear: to move us out of the comfortable security of an illusion of our own design about the world. As I have said, the team is coming from a place of extraordinary comfort when compared to that of our hosts and our own struggles will be put promptly into new perspective. The other goal is to contribute to the construction of a house on behalf of Habitat for Humanity, which will power our third goal to create in the process a documentary of the journey, both for posterity and for the benefit of Habitat to use to promote their own future efforts. Our work shall leave an indelible impact on all of us.
In the case of the few who believe such a humble contribution is equivalent to a screw falling out of a deck chair off the back of the Queen Mary, they may have have a point of merit, given the obstacles between what is right and fair in the world and the sad fact that justice does not always prevail. Nonetheless, there are those who give up and those who, in the presence of great adversity, continue to do what they can to push the world to a better place. This is in line with something I read in my only surface-scratching study of the region’s primary religion – Islam:
None of you truly believes until he wishes for his brother what he wishes for himself – Number 13 of Imam – Al-Nawawi’s Forty Hadiths
Such thoughts are small changes in thought which act as catalysts for larger ones. Through subtle shifts in our perceptions we are able then to move forward in bigger ways that would not have been possible without them. Whether we like it or not, as tough as they often are to initiate, these small changes are the stuff. Moving ourselves out of our comfort zones is arguably the only way to growth, intellectually, emotionally, spiritually, physically and metaphysically. The metaphor of dropping of a pebble into the glass stillness of a lake is spot on here: the ripples fan out towards shore, bringing with it perhaps a nourishing drink that makes it just far enough up onto the shore to provide a drink for a flower that may have otherwise perished were it not for a timely, though seemingly insignificant, toss. These are the risks that have value, that have the potential to produce beauty. Without taking risks, we risk living life without beauty. Beauty in our ability to be generous. Patient. Tolerant. Alive, curious and excited to learn about the myriad of things we do not know or have only heard of.
I raise my glass to anyone reading this with my most sincere wishes that all our travels, wherever they take us, may nurture and raise our understanding to new pinnacles and give us fresh vantage points from which we are naturally inclined to take less and less of our life and times together for granted.
Latcho drom.
