thinfilms helped MPLS.tv shoot a music video featuring Charlie Parr for City Pages’ Gimme Noise. Here’s the final edit:

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Jul 282010
Shooting the Charlie Parr video last weekend

Filming the Charlie Parr video last weekend

As I mentioned earlier, last weekend I went down to the river with a bunch of gear to help Dan Huiting shoot a music video featuring Charlie Parr for City of Music and the video is premiering this coming Monday on the site.

See more stills from the shoot and read the article in City Pages

The crowd at the 10 Second Film Festival 2010

The crowd at the 10 Second Film Festival

The crowd and judges went cuckoo for “sticks” at the Soap Factory’s 10 Second Film Festival last night – the announcer and the crowd of thousands continued to chant “sticks” long after it screened, especially after I neglected to claim the win (until later) because I couldn’t hear anything! Gee whiz, what can a fella say but thanks to the Soap Factory, Chris Cloud, Dan Huiting, and Kevin Albertson from MPLS.tv, the local celebrity judges Barb Abney from 89.3 The Current, Chris Pennington, and Robyne Robinson. Yet another thousand reasons why Minneapolis is the greatest city in the universe : )

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“Lars can eat carrots really fast” was a crowd pleaser, too, and when i didn’t hear the call to claim the award for ’sticks’ evidently they chose this as the next winner, which i didn’t go up for either because i STILL couldn’t hear anything! : P

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Apr 072010

10secondfilms.orgSome think content will keep getting longer and longer until movies are 3 and 4 hours long. That’s fine. OK with us. We also like the idea of not spending 3 or 4 hours to get something out of it.

Like music, there is a time and place for a long song and a short one. We like them both. We do listen to waaay more short songs than long ones, though. This is the reason we love still images more than films. If our house was on fire and we had to save still images or films, we would have to save the stills. We know. Sounds surprising! We work in motion but, like most of our favorite filmmakers, we think in stills. Moments. In a moment, a still image can change our lives. Films take a little longer.

Which is one reason we created and curate 10secondfilms.org. In 10 moments, a film can pack quite a wallop. Some maybe not so much, but are still worthy as friendly exercises in media literacy.

Howard Rheingold called this site “genius, funny, and yes, friendly expression of participation media literacy” via his Twitter account.

Gever Tulley also commented on it using the most appropriate phrase ever: “oddly compelling” – also via Twitter.

Compliments coming from fellas like these make us feel pretty darn swell, to say the least. Thank you, Gever and Howard. You both have our most humble admiration and deepest respect.

This is all just to say that we believe the experience of producing media should be a friendly one for all ages, especially as technology can still be an obstacle to the creative process for many of us. As an exercise in media and visual literacies, the 10-second format is vital. It minimizes the need for complex tools. These moments as movies are gratifying and occasionally inspire larger, more ambitious projects.

Make a 10 second film with any device that captures motion pictures.

No editing — One take — 10 seconds maximum length — Sound is optional.

Have a 10 second film you like?

We’d love to hear about it and perhaps even feature it on the site – click here to tell us more.

Meanwhile, thanks for reading and — keep playing.

I’ve met some cool musicians while living in Barcelona and traveling elsewhere. Why not shoot some vids, have some fun and help them spread the word? In that vein, Coldcuts was just created to showcase these pals’ work. This weekend, we shot some tunes with Reuben Palmer in my flat here in the Born:

Feb 282010

Keur Mbaye Fall, SenegalOne thing keeps coming into my mind now that I’ve been back in Spain from Senegal for a couple of weeks: grace and generosity are a completely different sport there, as shown to us by our hosts. It was astonishingly unlike anything I’d ever experienced before. Anywhere.

Generosity is the habit of giving freely without coercion, which leads my mind to something else: while there, our hosts would typically and immediately describe to us their need, listing specifics in some cases, leaving no margin for egotism or hidden agendas. They relinquished any such notions, admitting freely that they needed our help and welcomed us wholeheartedly into their intimate communities. The best part of this is: this freed us all up to then enjoy each others company in earnest, having gotten the “business” of expectations quickly out of the way.

In the developed world, it’s all about the poker face, which I wonder what the effect of is, exactly, over time to the way we relate to each other.

Once past the meeting stage, the graciousness displayed by all of our hosts was unrivaled. Truly. Letting a complete stranger into their home to film them: me and my camera shooting the poverty surrounding them and yet also how little it seems to matter to their general satisfaction with their lives. The people of Keur Mbaye Fall need little to make them happy. In contrast, I worked hard not to project my own guilt about taking so much for granted in my own life, for having problems that aren’t really problems at all outside of the traps my Western mind sets for itself for seemingly no reason at all.

One example of what I mean is worth relating here: after one particularly long and hot work day, one of the community leaders invited a few of us to his home to wash our hands and faces. Upon entering, I felt a most peculiar feeling come over me. It felt familiar. Deja vu. Familiar as if from an early childhood memory, from a room in my mind that had had its door shut a long time ago, only to have it opened on this day. It certainly could have been the heat, however, I choose to believe there was much more to it than that.

Upon preparing to leave his home and return to our team and the shuttle that would return us to the compound where we were staying, he offered us the most unlikely of things: Keur Mbaye Fall, Senegalfrom a freezer (photo below) he removed four small, plastic baggies, twisted in half with an orange-ish substance in them. As soon as he placed one in my hand (it was cold, frozen) my entire body shuddered from the shock of it – pleasantly. I was stunned. Here was a man who had exponentially less than any of us could ever imagine, sharing something of a most exquisite nature with us, something not just anyone could acquire in this place. Something that surely took him a great deal of trouble to finagle into his own life for his own family and here he was, sharing it freely as if it were no trouble at all.

As we left the shady comfort of his home, we bit off a corner of our baggies and began manipulating the frozen stuff out through the hole using our lips to smash it gently without further tearing the baggy. It tasted not unlike a Push-Up, yet another childhood memory that I couldn’t have known would be connected to this day. I dawdled along behind the others, savoring it, wondering whatever had I done to deserve such an amazing experience and this selfless and so very fine a gift from a man of such simple means. Right then and there I stopped in the middle of the road and stood, humbled, with a cool and soothing ice cream in the harsh desert climate of Africa.

Feb 112010

These were the words spoken by one of my young, student directors as she attempted to motivate her 3rd grade counterparts appropriately during one of our practice shoots:

slowly, very well

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