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sci-fi

The Irony of Beauty

This is an astounding metaphor for our culture and the gravity of our situation as lifeforms on a planet we know next-to-nothing about:
enveloped by the inelegance of our current technology, with wires and all kinds of ugly schwack running up and down the walls surrounding and protecting him, Ed Lu is aboard the International Space Station. Technically, he IS out of our atmosphere and orbiting in space, though, he is only BARELY off-world. Consider the resources and history it took just to get him THIS far.
Meanwhile, he engages in this arguably “unproductive” act of pure beauty, playing a sonata written by a composer who’s been dead almost 200 years.
Ever so slowly but surely, this clip seems to make it all worth it:

B A D A S S : HUDs

cheers to @drwave for turning me onto this:

the power of stats

perspective : technology integration and learning

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VTTBOTS

I don’t believe i ever saw this as a kid but it still holds up well : even as a kid pretending to be an adult :

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Blade Runner turns 25

thinfilms 200px Blade Runner poster Blade Runner turns 25

Twenty-five years ago, the Ridley Scott film Blade Runner became an instant science fiction classic. Set in a sodden, squalid Los Angeles of 2019, the neo-noir masterpiece influenced a generation of filmmakers and video-game designers. Scott’s cyberpunk gem almost instantly became the most important film in the canon of movies people like me love.

Admittedly, I’m still such a fan that I watch it at least once every few months.

In Blade Runner’s dystopian near future, replicants [genetically engineered humanoids] do the hard work on off-world colonies. After a bloody mutiny the androids are forbidden from coming to Earth. So when six rogue replicants return home, they must be “retired” [hunted down and killed] and Ford’s Deckard, once a top replicant hunter, or “blade runner,” is pulled out of his own retirement to do the job.

F/X experts who’ve worked on Star Wars Episodes, on the Matrix films, on AI and Terminator agree that 25 years later there are ways in which Blade Runner surpasses anything that’s been done since.

Watching it even now showcases Scott’s genius for creating stunning effects with simple technology.

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Flatland

This is one of my favorite books of all time!

Edwin Abbott wrote the story in 1884 and it stands as a great epic to this day.

I first read it while living in Chapel Hill and recently discovered it on YouTube recreated as a somewhat crude animation:

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Adaptive Technology :: Evolved

thinfilms blade runner Adaptive Technology :: Evolved

Doctors laugh at me when they ask me ideally what do i want to do about my knee problem and i tell them how i’d like them to just lop it off and gimme a rad prosthetic.

if there are any doctors out there who’d like to help a fella get his quality of life back by hooking him up with something akin to this would you email queue [ - at - ] thinfilmsproductions dot com, please?

i don’t wanna be the fastest runner on my block or break any records other than the furthest walk i’ve had in months.

there’s no doubt this new technology is fascinating but, as we all know, every new solution brings with it a new set of dilemmas.

Whatever. You are my total fucking hero! THANKS, OSCAR!

click here to learn more about Oscar.

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Kurt Vonnegut has left the building

“Those who believe in telekinetics, raise my hand”

thinfilms kurt vonnegut Kurt Vonnegut has left the building

1922 – 2007

THANKS FOR EVERYTHING

WE COULD NEVER FORGET YOU

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R2 honored by USPS

thinfilms R2 R2 honored by USPS

WASHINGTON – Thirty years ago, in theaters near and far, far away, a movie opened the imaginations of millions, combining the magic of mythology and special effects to launch the “Star Wars” phenomenon.

A star of these films — the brave little droid R2-D2 — is about to take a turn collecting mail as the Postal Service and Lucasfilm Ltd. commemorate the launch of the first “Star Wars” movie.

The post office is wrapping mail collection boxes in some 200 cities nationwide in a special covering to look like R2-D2.

[more]

Lucas’ network infrastructure trumps world

thinfilms ilm Lucas network infrastructure trumps world

Given the cult-film status of 1971′s THX 1138 in the George Lucas universe, it should come as little surprise that the total capacity of Lucasfilm’s giant data center is 11.38 petabits per second.

Granted, that number–which represents the value one would get by adding up the bandwidth capacity of all the company’s 1 gigabit per second desktop machines and its 10-gbps backbone–is purely theoretical. But in an environment like Lucasfilm, which is celebrating four Oscar nominations this week, and where self-referential history is a big parlor game, numbers like that are nothing to be messed with.

The 10-gbps backbone is the core of the data center’s network. That rate is faster than the prevailing industry standard of around 1 gbps for most servers.

“They’re hesitant to change that capacity,” Kevin Clark, Lucasfilm’s director of IT operations, said of the total theoretical bandwidth number.

Take a video tour of this badass datacenter here!

Ultraman’s 40th Birthday today

thinfilms ultraman Ultramans 40th Birthday today

dunno if many other people grew up watching this show in the 70′s and 80′s or not but it was a staple in my early TV diet.

my friends and i played Ultraman in snow, rain and shine. we lived it, actually, and each of us had our respective Beta Capsules so as to be prepared when it was our turn to be Hayata.

it was a cathartic game, after which we all felt restored and empowered. especially after those run-ins with bullies who [more than anything] hurt our self-confidence.

Happy Birthday to an icon that inspired me while providing hours of imaginative playtime with pals.

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Growing up with Newsweek

thinfilms newsweek sucks Growing up with Newsweek

Newsweek loves to feature articles about Autism.

People love to buy Newsweek and read articles about Autism.

If the following cliche’ is true [about Autism] then most of the world is Autistic only they don’t know it yet:

Work is play and play is work

Sound like anyone in YOUR neighborhood?

When was the last time you didn’t schedule something? when was the last time you did something “spontaneously” and it was fun? when was the last time you played, really played without having to work at it?

if we’re not careful about our obsession with time management and commitment to “careers” we may all be in for more and more future generations of Rain Men and Rain Women who are engineered to think fun is being at the office until sunrise and work is going to the park [ugh] again.

how weird is this “are you a workaholic” quiz on Forbes.com?

WHAT IF [humor me here for a moment] it’s unhealthy lifestyles like ours that generation after generation give rise to abominations such as Autism?

Did you know that Autism does not exist in Native cultures, such as Native American, Native Alaskan, Aboriginal, etc? Not a single trace exists in these cultures. Well, maybe if they continue to participate in our culture long enough they will, too!

WHAT IF, collectively, we are killing off our collective consciousness [ie imagination] by exercising mostly only those “muscles” that work and watch tv or some such other unimaginative recreation? at what age does imaginative play stop? what was it 20 years ago? 50?

PLEASE. DON’T JUST SIT THERE READING NEWSWEEK.

THINK ABOUT IT.

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For the monkey who has everything…

for some reason, i find this to be fascinating in a sick, ironically unsound way:

thinfilms chimp For the monkey who has everything...

how does it make you feel?

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APE WITH A HEART MAKES GROWN MEN CRY

thinfilms kong2 APE WITH A HEART MAKES GROWN MEN CRY

$1,845,034,000 worldwide and $600,788,188 are the all-time boxoffice records for a single movie, TITANIC, first released on December 19, 1997.

Now roars along another December blockbuster, KING KONG, a film many top Hollywood executives predict will break the record!

The movie opens wide as Victoria Lake next Wednesday, but recent screenings by UNIVERSAL have left the audience cheering and sobbing.

“Grown men around me were crying,” says one Hollywood insider. “Yes, I think this will do TITANIC numbers. It is going to be a huge movie.”

Complaints the Peter Jackson movie starts slow and is too long [more than 3 hours] will fill critics’ columns. “The human relationships are s**t … the dialogue is piss poor and there is a scene of Jamie Bell shooting gigantic bugs off of Adrian Brody with a tommy gun … those are the bad parts,” says a Hollywood reporter. “But…. the scenes between Kong and Naomi Watts tug at the heart strings big time. And the final scene was just great! There were one too many longing looks between the ape and Watts … but the audience around me ate it up.”

The enduring appeal of King Kong

thinfilms kingkong The enduring appeal of King Kong

As Peter Jackson’s new version of King Kong receives its world premiere on Monday, the BBC News website looks at the lasting legacy of the original film.

King Kong has become one of the most enduring monster films of all time – not bad for a picture made 72 years ago, starring an 18-inch model ape.

Co-directed by the maverick film-makers Merian C Cooper and Ernest B Schoedsack, it was made decades before the computer-generated special effects seen in contemporary fantasy films.

The tale of a gigantic ape who falls for a beautiful woman was partly shot using the stop motion technique – where Kong and dinosaur miniatures were moved an infinitesimal amount, shot, moved again, re-shot, moved again…

Read this article from the BBC

Top 100 Science Fiction Stories of the 20th Century

1. The Lord of the Rings and The Hobbit by J. R. R. Tolkien
2. Forbidden Planet (1956)
3. The Foundation Trilogy by Isaac Asimov
4. Dune by Frank Herbert
5. Childhood’s End by Arthur C. Clarke
6. Star Wars (1977) and The Empire Strikes Back (1980)
7. Ringworld by Larry Niven
8. It’s A Wonderful Life (1946)
9. Metropolis (1926)
10. King Kong (1933)
11. Star Trek (all of them except Star Trek: The Motion Picture and Star Trek V)
12. Doctor Who
13. The Martian Chronicles by Ray Bradbury
14. Blade Runner (1982) and “Do Androids Dream of Electric Sheep” by Phillip K. Dick
15. 2001: A Space Odyssey (1968)
16. “I Have No Mouth And I Must Scream” by Harlan Ellison
17. The Left Hand of Darkness by Ursula K. LeGuin
18. The Moon Is A Harsh Mistress by Robert A. Heinlein
19. The Anubis Gates by Tim Powers
20. “Nightfall” by Isaac Asimov
21. Blakes 7
22. Startide Rising by David Brin
23. Lord of Light by Roger Zelazny
24. “The Persistence of Vision” by John Varley
25. The Hyperion novels (Hyperion, The Fall of Hyperion, The Rise of Endymion, Endymion) by Dan Simmons
26. Babylon 5
27. Mission of Gravity by Hal Clement
28. “Microcosmic God” by Theodore Sturgeon
29. The Encyclopedia of Science Fiction by John Clute and Peter Nicholls
30. I, Robot by Isaac Asimov
31. Starship Troopers by Robert A. Heinlein
32. The Terminator (1984)
33. The Twilight Zone (original series)
34. Quatermass and the Pit (aka Five Milion Years to Earth; 1968)
35. Dangerous Visions and Again Dangerous Visions edited by Harlan Ellison
36. The Heechee novels by Fredrik Pohl (Gateway, Beyond the Blue Event Horizon, Heechee Rendezvouz, The Annals of the Heechee)
37. The X-Files
38. The Science Fiction Hall of Fame, Volume 1 edited by Robert Silverberg
39. “Yours Truly, Jack The Ripper” by Robert Bloch
40. The Silmarillion by J. R. R. Tolkien
41. The Mote in God’s Eye by Larry Niven and Jerry Pournelle
42. A Clockwork Orange (novel by Anthony Burgess and 1971 movie)
43. 1984 by George Orwell
44. Stand on Zanzibar by John Brunner
45. A Canticle for Leibowitz by Walter M. Miller Jr
46. Fantasia (1940)
47. Aliens (1986)
48. Red Dwarf
49. To Your Scattered Bodies Go and The Fabulous Riverboat by Philip Jose Farmer
50. The Drawing of the Dark by Tim Powers
51. Close Encounters of the Third Kind (1977)
52. Nine Princes in Amber by Roger Zelazny
53. Frankenstein (1931)
54. Dracula (1931)
55. The Invisible Man (1933)
56. Gattaca (1997)
57. “All The Lies That Are My Life” by Harlan Ellison
58. Neuromancer by William Gibson
59. John Campbell’s Astounding/Analog magazine
60. Watchmen by Alan Moore and Dave Gibbons
61. “War of the Worlds” radio broadcast (1938)
62. Superman (all manifestations)
63. The Man in the High Castle by Phillip K. Dick
64. The Wizard of Oz (book by L. Frank Baum and 1939 movie)
65. The Haunting (1963)
66. Invasion of the Body Snatchers (1956)
67. The Hitchhiker’s Guide to the Galaxy by Douglas Adams (the original radio scripts, 1977)
68. Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1963)
69. The Prisoner
70. Time Bandits (1981)
71. The Gormanghast Trilogy (Titus Groan, Gormenghast, Titus Alone) by Mervyn Peake
72. Monty Python and the Holy Grail (1975)
73. Raiders of the Lost Ark (1981)
74. Apollo 13 (1995)
75. Who Framed Roger Rabbit? (1988)
76. Locus magazine
77. The Outer Limits
78. Max Headroom (1985 and TV series)
79. Contact (novel by Carl Sagan and 1997 movie)
80. Men In Black (1997)
81. “Flowers for Algernon” by Daniel Keyes
82. Young Frankenstein (1974)
83. Planet of the Apes (1968)
84. The Shining by Stephen King
85. Time After Time (1979)
86. A Christmas Carol (1951)
87. The Bride of Frankenstein (1935)
88. Doomsday Book by Connie Willis
89. Hugo Gernsbach’s Amazing Stories magazine
90. Mary Poppins (1964)
91. Nosferatu (1922)
92. A Wrinkle in Time by Madeleine L’Engle
93. “The Shadow Over Innsmouth” by H. P. Lovecraft
94. The Dying Earth by Jack Vance
95. Rite of Passage by Alexei Panshin
96. Jason and the Argonauts (1963)
97. Rocky and Bullwinkle
98. “A Sound of Thunder” by Ray Bradbury
99. Invaders From Mars (1953)
100. The Chronicles of Narnia and The Deepspace Trilogy (Out of the Silent Planet, Perelandra, That Hideous Strength) by C. S. Lewis

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