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Baby, life is what you make it

thinfilms daschel week21 300x179 Baby, life is what you make itI have heard everyone say it. If I had to, I could not count how many times my pals with kids have asked, “So when are you going to be a dad?” or “How come you don’t have any kids yet?” For years I fielded kind words from my friends who considered me well suited for it, who wondered aloud why I was taking so long. For years I thought they were mad for giving up so much of their free time.

Meanwhile, I was spending mine on every indulgence. Travel, people, ideas, experiences. I do not know what boredom is. Put me in a room and I can occupy myself indefinitely. I was missing something. It was great sometimes. It was also unfulfilling. Eventually I grew stymied by my own modest successes. Eventually, without any sacrifice, without a reason, one day I woke up and began to allow the idea in – that it all meant very little. Matt Johnson wrote it best as a sarcastic anthem to the selfish side of being human, True Happiness This Way Lies:

Have you ever wanted something so badly that it possessed your body and your soul? Through the night and through the day until you finally get it – and then you realize that it wasn’t what you wanted after all? And then those self-same, sickly little thoughts now go and attach themselves to something or somebody new and the whole goddam thing starts all over again…

I am grateful for many things and thank the gods moment to moment for each of them, not least of which is this mother of all adventures. I thought I knew what true collaboration was. I thought I had an idea of how much I had to learn about patience and taking care of myself. There was a time I presumed to be standing on the edge of understanding what was important to me. It may have been practice or it may have just been wasting time. Now, I am learning a kind of generosity I did not know I was capable of. Somehow, there are more authentic versions of such heavy things following me around like sauntering breezes tumbling leaves around my ankles. I have at last been introduced to myself. Looking into the eyes of your own child does that. My pals were hardly kidding.

thinfilms IMG 15881 300x285 Baby, life is what you make itTonight my little boy lies here over my shoulder, asleep. Inspired by this picture of Daschel and I, taken by his mother, I write this as I snuggle him and rub his face gently with the back of my hand. I am at this and each passing moment fully aware of him, his mother, our life, and my impact on it. This is now the definition of success. Whatever I used to care about, whatever I once thought important is dust. You better believe this is everything it is cracked up to be. If there is a bigger, more ultimate, adventure I would love to know what it is. I am grateful I did not miss out.

We wished for him, you see, his mother and I. We both wanted nothing more than to be parents. Each of us, alone, from the midst of our previous and interesting (albeit unsatisfying) lives daydreamed a child of our own. A miraculous occurrence. Here he is looking at me (with just one eye now, he’s getting snoozy). In that previous life I would have quietly asked myself, “What are the chances of that?”

Now, I know better. Things just got more interesting than I could have imagined.

One day I will fruitlessly try explaining this to him, knowing full well he will merely have to stumble around until he discovers it on his own as I did. I will likely blather on saying something like, “Baby, life is what you make it. Thoughts become things. Choose only the best ones.”

From the Water

thinfilms water droplet 300x218 From the Water I think about water. A lot. I think about water because it has this exquisite power: water can change dramatically while retaining its original properties. It morphs into unrecognizably different states of matter while continuing to be itself, unaltered.

It is easy to resist change. We are conditioned against it in most of our cultures, generally speaking. Is it a natural reflex to resist it? Many of us make great sacrifice to avoid it. Laws are written and put into place to stymy it. Large, expensive buildings are built to protect against it. Minds are made up against it and reject ideas that even hint at it. Blockades of all sorts are built against experience that may lead to it. The fights against it use energy we don’t even have to spare. In some cases, some put themselves at risk in the process physically, emotionally. Heavy stuff.

Steeped in a culture of change, I anticipate it, ride it, enjoy and thrive in it. They say change is the only thing that stays the same so, even as a child, it was clear: why not make friends with it and welcome such opportunities for growth and learning? I owe my resiliency to having a family that faced many changes and stayed together through each and every one, relying on change, even as it was difficult. We collectively and individually learned to make the most of each one and find lessons in change that could not have been learned from any school. We taught ourselves to live better through it and within it. I owe the quality of my life and my capacity for experience to these lessons and to my family for providing access to them.

Wherever I go I meet people who spend a lot of time, energy, and resources fighting change. Inevitably change wins out and I am forced then to watch them tire and cave into it reluctantly, sometimes painfully. I try and not speak during such situations. I have only the choice to let others make their own mistakes in whatever way they choose. There is no other way to learn. We can try to tell them to just let change take them on the ride and enjoy it, but that doesn’t work. It only inspires them to resist more zealously.

I think about water. While I’m watching those I barely know or those I love with all my heart as they adapt to change, I think about water. I think about how long water has been doing it, changing, adapting, enduring, and yet it does not really change. Water does not waste time or energy in the face of the inevitable. It literally just rolls with it. It finds a way around obstacles. Every time.

I think about children, too. In children lies this spirit, willing to explore change, even revel in it. Somewhere along the line most of us seem to lose touch with a kind of innocent tenacity, the way a child solves a problem in play. The effort to change is transparent in children, like water. They have the ability to exhaustively problem-solve using none of the biased doubt (I call it ‘obstructionism’) often found in grown-ups. We make excuses and use our amazing brain-machines to come up with answers for everything, or create atmospheres of resistance, even subconsciously trying to derail change, arrogantly, ignorantly, trying everything except friendly solutions to accepting it and making it work for us.

Being afraid is no fun. It causes stress. It is no good. It affects everyone around us while we give into it. My strategies for dealing with it is this: I think about water. I think about children. Mostly water. I come from the water.

Dr. Walter Soboleff

This piece speaks for itself:

portfolio: stills

What a year it’s been so far:

Third Coast

It wasn’t long ago I was living and working in Chicago, which is why it’s seemingly appropriate that life would lead me back through here to initiate several new facets of my life. Such a beautiful city, especially from atop the waves of Lake Michigan. The approaching winter’s light is gloriously fitting this afternoon:
thinfilms third coast 300x187 Third Coast

Dropped is in

This 10-minute short film is made up of clips found on YouTube by Chris Beckman, who collected clips of people dropping their video cameras and edited them together into this artful masterpiece:

Pigs on the Wing

Part 1

If you didn’t care what happened to me,
And I didn’t care for you,
We would zig zag our way through the boredom and pain
Occasionally glancing up through the rain.
Wondering which of the buggars to blame
And watching for pigs on the wing.

Part 2

You know that I care what happens to you,
And I know that you care for me, too.
So I don’t feel alone,
Or the weight of the stone,
Now that I’ve found somewhere safe
To bury my bone.
And any fool knows a dog needs a home,
A shelter from pigs on the wing.

Timeless: Loser

The Man’s Guide to Love

All over the country, these folks have been asking men:

“If you had one piece of advice that you’d give another man about love, what would it be?”

Click the photo to see and listen to their answers:thinfilms Picture 5 300x197 The Mans Guide to Love

dialectic

This one Bergey and I made together:thinfilms 8 dialectic 1024x996 dialectic

pixelier: antes y dispues

Bergey made some things that inspired me to start tinkering with stills digitally and call it pixeliering, which is a meager attempt at adding an element of painting to digital images:

Click on that first image right there to see before and after examples larger and more in charger:thinfilms rufisque b 9 300x225 pixelier: antes y dispuesthinfilms rufisque b 8 300x225 pixelier: antes y dispues

This is cool and I like the way the digital mixes together with the analog. These are very time consuming to make so I only have a few of them to show but this is one of my favorites, so far:

thinfilms rufisque b 6 pixelier: antes y dispues

fate and the wall

A wall is accidentally knocked over leading to a discussion about the roles of choice and fate across cultures.

click here to watch on mobile device

Maria Montessori

thinfilms Maria Montessori Maria MontessoriIn 1896, Maria Montessori gave a lecture at the Educational Congress in Torino about the training of the disabled. The Italian Minister of Education was in attendance, and was impressed by her arguments sufficiently to appoint her the same year as director of the Scuola Ortofrenica, an institution devoted to the care and education of the mentally retarded. She accepted, in order to put her theories to proof. Her first notable success was to have several of her 8 year old students apply to take the State examinations for reading and writing. The “defective” children not only passed, but had above-average scores, an achievement described as “the first Montessori miracle.” Montessori’s response to their success was “if mentally disabled children could be brought to the level of normal children then (she) wanted to study the potential of ‘normal’ children”.

She believed:

Scientific observation has established that education is not what the teacher gives; education is a natural process spontaneously carried out by the human individual, and is acquired not by listening to words but by experiences upon the environment. The task of the teacher becomes that of preparing a series of motives of cultural activity, spread over a specially prepared environment, and then refraining from obtrusive interference. Human teachers can only help the great work that is being done, as servants help the master. Doing so, they will be witnesses to the unfolding of the human soul and to the rising of a New Man who will not be a victim of events, but will have the clarity of vision to direct and shape the future of human society.

Montessori’s method emphasizes learning through all five senses, not just through listening, watching, or reading. Children learn at their own, individual pace and according to their own choice of activities. Learning is a process of discovery, leading to concentration, motivation, self-discipline, and a love of learning. Montessori classes typically place children in three-year age groups (3-6, 6-9, 9-12, and so on), forming communities in which the older children spontaneously share their knowledge with the younger ones.

The Music of Conrad Praetzel and Clothesline Revival

thinfilms they came from somewhere 300x269 The Music of Conrad Praetzel and Clothesline RevivalThe best music you may not have heard of comes from the imagination and inspiration of Conrad Praetzel, an archaeologist-turned-musician living in Northern California, who makes soulful music under the moniker Clothesline Revival.

Collaborating with great musical forces in the world, including Charlie Musselwhite, Sukhawat Ali Khan, Robert Powell, Rounder Records, the field recordings of John and Alan Lomax, among others, Praetzel continues to turn out a unique sound. With timeless qualities of a simpler era and yet also a contemporary tone, his music has a singular style making it hard to categorize. Cinematic and real, perhaps.

Long Gone, Of My Native Land, Receive, EnTrance, Myths and Memories, Between Previous and Past are each a different feel and distinct combination of players, instruments and styles.

They Came From Somewhere is Praetzel’s first collection of all original compositions in over ten years, featuring legendary blues artist Charlie Musselwhite and is being released soon.

Highly recommended listening – some samples and links to purchase available via Conrad’s record label, Paleo Music.

McFerrin isn’t just that “Happy Guy”

Here, Now

thinfilms Feeling Red by gilad Here, NowEasy to take this all for granted. Breathing. Walking. Seeing. Feeling. Any sense. Pick one. And it’s even easier to stroll through this whole thing blind to the possibility that this may just very well all be some dream. We know nothing about what any of us are doing here.

In the meantime, we find things to make it about: for some, it’s about love and a sense of belonging. For many it appears to be money and fame. That’s surprising, isn’t it? Celebrity only seems to present new problems. It doesn’t change anything. It steals privacy, creates further issues with identity, but doesn’t provide any solutions for this singular dilemma. Nothing does.

So I am writing this to myself.

When people die, people close to us, it kindles something. What is that feeling? It makes me calm, reminds me of our connectivity to everything. It may be morbid, but I am oddly comforted by that loneliness, walking around in that stupor. Pleased to be again so intimately conscious that we have no control over any of this schwack. I am at peace within the moments of tragedy in a way I cannot be to quite the same degree otherwise. i don’t need anything in those times. I’m not hungry or thirsty. I’m not tired. I just seem to be picking up some signal that can’t be known coming from somewhere, everywhere. Call it shock if you want. There’s something more going on there, something unseen that has properties. As if ocean waves generate this frequency that we haven’t even considered the possibility of, or clouds being ghosts that have trapped themselves here, not having let go of their lives here on Earth yet. I laugh at what we think we know. Even if it is correct, it is always, ALWAYS, only the tip of the iceberg.

We can buy this, travel there, pretend to be this or that but it doesn’t help.

As Vonnegut used to say:

“We are what we pretend to be, so we must be careful what we pretend to be.”

Are we evolving closer or further away from this awareness? What are the advantages of each? Disadvantages?

What could this awareness do for us? Is it important?

Does it change how we treat each other? Ourselves?

Do we care?

Temple Grandin: The World Needs all kinds of Minds

Temple Grandin, diagnosed with autism as a child, talks about how her mind works — sharing her ability to “think in pictures,” which helps her solve problems that neurotypical brains might miss. She makes the case that the world needs people on the autism spectrum: visual thinkers, pattern thinkers, verbal thinkers, and all kinds of smart geeky kids.

Apricot