A tremendous cover by LaMontagne’s of the Gnarls Barkley song. How did I ever miss this from 2008?
I remember when
I remember I remember when I lost my mind
There was something so pleasant about that place
Even your emotions had an echo
In so much spaceAnd when you’re out there
Without care
Yeah, I was out of touch
But it wasn’t because I didn’t know enough
I just knew too muchMmm!
Does that make me crazy?
Does that make me crazy?
Does that make me crazy?
probablyAnd I hope that you are having the time of your life
But think twice, that’s my only adviceCome on now, who do you
Who do you, who do you, who do you think you are?
Ha ha ha, bless your soul
You really think you’re in control?Well,
I think you’re crazy
I think you’re crazy
I think you’re crazy
Just like meMy heroes had the heart to lose their lives out on a limb
And all I remember is thinking, I wanna be like themEver since I was little, ever since I was little it looked like fun
And it’s no coincidence I’ve come
And I can die when I’m doneBut maybe I’m crazy
Maybe you’re crazy
Maybe we’re crazy
Probably
In 1896, Maria Montessori gave a lecture at the Educational Congress in Torino about the training of the disabled. The Italian Minister of Education was in attendance, and was impressed by her arguments sufficiently to appoint her the same year as director of the Scuola Ortofrenica, an institution devoted to the care and education of the mentally retarded. She accepted, in order to put her theories to proof. Her first notable success was to have several of her 8 year old students apply to take the State examinations for reading and writing. The “defective” children not only passed, but had above-average scores, an achievement described as “the first Montessori miracle.” Montessori’s response to their success was “if mentally disabled children could be brought to the level of normal children then (she) wanted to study the potential of ‘normal’ children”.
She believed:
Scientific observation has established that education is not what the teacher gives; education is a natural process spontaneously carried out by the human individual, and is acquired not by listening to words but by experiences upon the environment. The task of the teacher becomes that of preparing a series of motives of cultural activity, spread over a specially prepared environment, and then refraining from obtrusive interference. Human teachers can only help the great work that is being done, as servants help the master. Doing so, they will be witnesses to the unfolding of the human soul and to the rising of a New Man who will not be a victim of events, but will have the clarity of vision to direct and shape the future of human society.
Montessori’s method emphasizes learning through all five senses, not just through listening, watching, or reading. Children learn at their own, individual pace and according to their own choice of activities. Learning is a process of discovery, leading to concentration, motivation, self-discipline, and a love of learning. Montessori classes typically place children in three-year age groups (3-6, 6-9, 9-12, and so on), forming communities in which the older children spontaneously share their knowledge with the younger ones.
The best music you may not have heard of comes from the imagination and inspiration of Conrad Praetzel, an archaeologist-turned-musician living in Northern California, who makes soulful music under the moniker Clothesline Revival.
Collaborating with great musical forces in the world, including Charlie Musselwhite, Sukhawat Ali Khan, Robert Powell, Rounder Records, the field recordings of John and Alan Lomax, among others, Praetzel continues to turn out a unique sound. With timeless qualities of a simpler era and yet also a contemporary tone, his music has a singular style making it hard to categorize. Cinematic and real, perhaps.
Long Gone, Of My Native Land, Receive, EnTrance, Myths and Memories, Between Previous and Past are each a different feel and distinct combination of players, instruments and styles.
They Came From Somewhere is Praetzel’s first collection of all original compositions in over ten years, featuring legendary blues artist Charlie Musselwhite and is being released soon.
Highly recommended listening – some samples and links to purchase available via Conrad’s record label, Paleo Music.
If you wanted to be a doctor or a lawyer or a feature film I could tell you the steps to take to do that, but every working documentary filmmaker I know has gotten there through their own unique path. There is no career path.
Last night in the car, the radio began to play this tune by Dave Loggins. By some fate of radio potluck, up until that moment, Pollee hadn’t heard it and imagine her surprise when I started singing along like a seasoned Dave Loggins groupie.
Now, there is quite a bit of back story here but I’ll keep it short. It’s rare that I know a song from the 70’s era that my wife doesn’t, owing to our different experiences growing up. As a kid, her life revolved around popular music and mine was devoid of any music deemed “secular” and therefore, there are still many songs and musicians out there that I’ve not ever heard of – the upside being that I get to “discover” bands and musicians that the rest of you have known about for, like, ever. Used to bother me but now I consider it the way one would consider finding money in an old coat.
So, that explains why we pulled the car off the road, into a huge parking lot, opened the doors, turned it up, got out and stood there under the light of the moon together listening, laughing and simply being thankful for music, music we’ve heard, music we haven’t heard, music we’re hearing for the first time, music we may never hear – all kinds of music – in our lives. What would we do without music? What could replace these moments, even such an odd song as this?
““Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid” – Frank Zappa
Thanks, Frank and thanks, Dave Loggins:


