Elite Gymnastics is James Brooks and Josh Clancy. The duo have been receiving quite a bit of national attention for their brand of chillwave tunage. From the New York Post to Pitchfork, these two are getting positive reviews. Minneapolis’ own City Pages had this to say:
…a trance-inducing quality to them, akin to sitting in a darkened opium den listening to ’80s dance hits stream out of a telephone receiver, off in the distance, softly yet persistently.
Check them out for yourself below and if you likey you can listen to more via their MySpace page and/or download their Real Friends EP for free here:
More than 3000 enjoyed the 10 Second Film Festival
A pal was kind enough to capture some of the reaction to ‘Sticks‘ at the Soap Factory’s 10 Second Film Festival on July 4th, 2010 in downtown Minneapolis, including the award for Best Documentary and praise it received from the local celebrity judges and HUGE crowd.
The crowd and judges went cuckoo for “sticks” at the Soap Factory’s 10 Second Film Festival last night – the announcer and the crowd of thousands continued to chant “sticks” long after it screened, especially after I neglected to claim the win (until later) because I couldn’t hear anything! Gee whiz, what can a fella say but thanks to the Soap Factory, Chris Cloud, Dan Huiting, and Kevin Albertson from MPLS.tv, the local celebrity judges Barb Abney from 89.3 The Current, Chris Pennington, and Robyne Robinson. Yet another thousand reasons why Minneapolis is the greatest city in the universe : )
“Lars can eat carrots really fast” was a crowd pleaser, too, and when i didn’t hear the call to claim the award for ‘sticks’ evidently they chose this as the next winner, which i didn’t go up for either because i STILL couldn’t hear anything! : P
I was only a little let down when the pilot played Enya over the comm as we lifted off for this chopper pass of Juneau because, after all, i was in the cockpit of an AStar-B2 and we were batting the air over Southeastern Alaska. I was riding shotgun. Z was in the back with Lou, who was shooting.
If i’d had my druthers, i’d have chosen this section of live audio of Jerry and the boys from MSG in September of 1991 so i threw this together quick-like in QTPro as a meager, self-indulgent attempt at redemption – special thanks to http://vimeo.com/tweeprise
Every now and then a film moves me, lifts and tosses about my sense of the world, of knowing myself and my own culture, let alone the cultures of others and where mine fits in. Then, it sets me down gently, back in the place I was to begin with. Only then, the place looks a whole lot different. Better? Not necessarily. Worse? Not necessarily. Just – different.
One of the most beautiful things about this film is how Ramin Bahrani chose to tell it visually. The cinema of the whole thing is masterful. The relationship between these two unlikely characters is developed elegantly without a hint of muscle-y force.
I could rant on and on about the reasons why I love it, why this is a film to be celebrated but for two reasons I will leave you in peace: 1) I do not wish to dilute it for anyone reading this who has not yet taken it in, and 2) I already did so at length to my pal who brought it to me, thanking him for the gift of spending 91 minutes of my life watching the work of a truly gifted filmmaker who should be an inspiration to generations of filmmakers to come.
thinfilms is pleased to have the honor of working with Gever Tulley this summer in San Francisco.
Gever is a gifted, self-taught computer scientist and developer, having started his professional career at age 16. He is an inspiration to me and to many, many others. His work with the Tinkering School enables children as both learners and teachers, working towards the goal of bringing the next generations back into touch with play, discovery and the other whimsical tools that put our minds in closer natural proximity to innovation.
Here’s Gever’s most recent talk at TED, worth watching because he explains this like no one else can:
If you wanted to be a doctor or a lawyer or a feature film I could tell you the steps to take to do that, but every working documentary filmmaker I know has gotten there through their own unique path. There is no career path.
This is just the fat trimmed off a project I’m working on: a multimedia installation about people asleep in public spaces called, appropriately, “Asleep”:
Sure, in the end it’s just another commercial. Using this format, however, Stella Artois gives us a glimpse of more than a 30-second spot devoid of any intellectual calories whatsoever.
Have 12 minutes to spare to watch this beautifully shot documentary?
Audience, the latest media installation from rAndom International, is outta sight – as the viewer walks through it, the mirror-fellows track them, making each viewer the “focus” of the piece as they are reflected in each little mirror:
Every now and then a film moves me, lifts and tosses about my sense of the world, of knowing myself and my own culture, let alone the cultures of others and where mine fits in. Then, it sets me down gently, back in the place I was to begin with. Only then, the place looks a whole lot different. Better? Not necessarily. Worse? Not necessarily. Just – different.
One of the most beautiful things about this film is how Ramin Bahrani chose to tell it visually. The cinema of the whole thing is masterful. The relationship between these two unlikely characters is developed elegantly without a hint of muscle-y force.