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10secondfilms.org

thinfilms 10secondfilms edit v2 10secondfilms.orgSome think content will keep getting longer and longer until movies are 3 and 4 hours long. That’s fine. OK with us. We also like the idea of not spending 3 or 4 hours to get something out of it.

Like music, there is a time and place for a long song and a short one. We like them both. We do listen to waaay more short songs than long ones, though. This is the reason we love still images more than films. If our house was on fire and we had to save still images or films, we would have to save the stills. We know. Sounds surprising! We work in motion but, like most of our favorite filmmakers, we think in stills. Moments. In a moment, a still image can change our lives. Films take a little longer.

Which is one reason we created and curate 10secondfilms.org. In 10 moments, a film can pack quite a wallop. Some maybe not so much, but are still worthy as friendly exercises in media literacy.

Howard Rheingold called this site “genius, funny, and yes, friendly expression of participation media literacy” via his Twitter account.

Gever Tulley also commented on it using the most appropriate phrase ever: “oddly compelling” – also via Twitter.

Compliments coming from fellas like these make us feel pretty darn swell, to say the least. Thank you, Gever and Howard. You both have our most humble admiration and deepest respect.

This is all just to say that we believe the experience of producing media should be a friendly one for all ages, especially as technology can still be an obstacle to the creative process for many of us. As an exercise in media and visual literacies, the 10-second format is vital. It minimizes the need for complex tools. These moments as movies are gratifying and occasionally inspire larger, more ambitious projects.

Make a 10 second film with any device that captures motion pictures.

No editing — One take — 10 seconds maximum length — Sound is optional.

Have a 10 second film you like?

We’d love to hear about it and perhaps even feature it on the site – click here to tell us more.

Meanwhile, thanks for reading and — keep playing.

Simply Heavyweight

Here, Now

thinfilms Feeling Red by gilad Here, NowEasy to take this all for granted. Breathing. Walking. Seeing. Feeling. Any sense. Pick one. And it’s even easier to stroll through this whole thing blind to the possibility that this may just very well all be some dream. We know nothing about what any of us are doing here.

In the meantime, we find things to make it about: for some, it’s about love and a sense of belonging. For many it appears to be money and fame. That’s surprising, isn’t it? Celebrity only seems to present new problems. It doesn’t change anything. It steals privacy, creates further issues with identity, but doesn’t provide any solutions for this singular dilemma. Nothing does.

So I am writing this to myself.

When people die, people close to us, it kindles something. What is that feeling? It makes me calm, reminds me of our connectivity to everything. It may be morbid, but I am oddly comforted by that loneliness, walking around in that stupor. Pleased to be again so intimately conscious that we have no control over any of this schwack. I am at peace within the moments of tragedy in a way I cannot be to quite the same degree otherwise. i don’t need anything in those times. I’m not hungry or thirsty. I’m not tired. I just seem to be picking up some signal that can’t be known coming from somewhere, everywhere. Call it shock if you want. There’s something more going on there, something unseen that has properties. As if ocean waves generate this frequency that we haven’t even considered the possibility of, or clouds being ghosts that have trapped themselves here, not having let go of their lives here on Earth yet. I laugh at what we think we know. Even if it is correct, it is always, ALWAYS, only the tip of the iceberg.

We can buy this, travel there, pretend to be this or that but it doesn’t help.

As Vonnegut used to say:

“We are what we pretend to be, so we must be careful what we pretend to be.”

Are we evolving closer or further away from this awareness? What are the advantages of each? Disadvantages?

What could this awareness do for us? Is it important?

Does it change how we treat each other? Ourselves?

Do we care?

Temple Grandin: The World Needs all kinds of Minds

Temple Grandin, diagnosed with autism as a child, talks about how her mind works — sharing her ability to “think in pictures,” which helps her solve problems that neurotypical brains might miss. She makes the case that the world needs people on the autism spectrum: visual thinkers, pattern thinkers, verbal thinkers, and all kinds of smart geeky kids.

Education at its Finest

BFIS and Habitat for Humanity in Senegal

A small window into the experience of students from the Benjamin Franklin International School in Barcelona who spent a week near Dakar, Senegal in Keur Mbaye Fall, working in collaboration with Habitat for Humanity.

“If we wish to teach fish to swim, it helps if we put them in the water”

Dakar


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As I write this, I am taking meds to fight off malaria. I am leaving for Dakar this morning for a week and the meds are a final, though ongoing, step in a series of vaccines administered to me en masse (The first of two rounds knocked me for a loop for a week. I had not ever felt that kind of energy depletion as my body immediately began building up antigens, fighting off the militia of micro-infections introduced into it) in preparation for the trip. The bottle told me to start taking them two days before entering the malaria risk zone. It says to take with food. It says to take them with plenty of water. It says to take one every day I am in the malaria risk zone. It says to continue taking them for 4 weeks after I return.

I should be surprised at the types of reactions I get upon telling others where I am headed and what steps I have have been required to take in order to be eligible to go, but I cannot say that I am, given the current mode of the media, especially in the West, full of anger and fear, some justified, though mostly misguided. The information given out at the infectious disease center is intimidating enough to make many change their travel plans. I have heard stories from others about these malaria meds who have experienced nightmares throughout the prescribed duration. This is all to say that the general culture in the developed world effectively conditions us to be afraid of anything that poses even the slightest amount of risk – and there are plenty of excuses around for us to use and give in to it.

Before today, I have not stepped foot upon the continent of Africa. I honestly do not know what I am expecting. When I think of Africa, the only images and ideas that come to mind are not my own. They are the images and sounds of films, emblazoned with romance and exotic, timeless beauty or violence and timeless unrest. Then there are the various agendas of the associated news agencies and television ad campaigns to raise money for the developing world, full of images chosen exclusively for their compelling attributes. All told, a polarized mix of love and hate, reverence and fear.

There are many ways of interpreting those messages. Realities are ethereal things, existential and elusive. They are relative, just like the physical. Like biology. What constitutes a cold to one person, requiring a trip to the doctor, may be just a sniffle to another. So they wait it out and in a couple of days they are just fine.

I do not know what we will eat there or if the water will agree with us. I do not know how I will fare in the heat of the day while filming the team. I do not even know if there will be enough electricity to power the equipment I will be using to shoot. I have learned what little I can about the region from what is posted on the CIA’s World Fact Book and related sites about the history, populations, languages, political and economic stability of the region. The work of Ben Herson, Democracy in Dakar, is some of the more current, compelling and poignant information out there and I am thankful for it – the struggle of the Senegalese people, politically similar to that in other regions of the world, is set apart by the conditions under which they muster the spirit to persevere in order to bring change and any improvement in their quality of life. How they manage to create such beautifully compelling art amidst such adversity and poor living conditions is a triumph in and of itself.

I do know that I feel a sense of mystique about it, having been so glorified by my own culture as a key piece of the anthropological record and also demonized for the strange differences of culture hidden within it. Is it natural for us to fear or discount what we do not understand? My culture has made the same mistakes as those that have gone before it – including insulating its people with convenience and luxury, softening minds and hardening hearts.

Naturally, I am invigorated by the idea of leaving these burdens behind if only for a few days. The mere thought of what it will be like to see, taste, smell, hear and feel Dakar for myself stirs butterflies of the best kind within. However, I am clumsy the way others are graceful. My only concern about the journey is making some bumbling move or inadvertently inconsiderate statement relating to something I take for granted in front of our less fortunate hosts. A good solution for this: I am focused on doing more listening and less talking, which should serve us all well. Being behind a camera lends itself to this.

The trip will mean something different to each of us on the team, though our primary goals are the same. One of the goals is clear: to move us out of the comfortable security of an illusion of our own design about the world. As I have said, the team is coming from a place of extraordinary comfort when compared to that of our hosts and our own struggles will be put promptly into new perspective. The other goal is to contribute to the construction of a house on behalf of Habitat for Humanity, which will power our third goal to create in the process a documentary of the journey, both for posterity and for the benefit of Habitat to use to promote their own future efforts. Our work shall leave an indelible impact on all of us.

In the case of the few who believe such a humble contribution is equivalent to a screw falling out of a deck chair off the back of the Queen Mary, they may have have a point of merit, given the obstacles between what is right and fair in the world and the sad fact that justice does not always prevail. Nonetheless, there are those who give up and those who, in the presence of great adversity, continue to do what they can to push the world to a better place. This is in line with something I read in my only surface-scratching study of the region’s primary religion – Islam:

None of you truly believes until he wishes for his brother what he wishes for himself – Number 13 of Imam – Al-Nawawi’s Forty Hadiths

Such thoughts are small changes in thought which act as catalysts for larger ones. Through subtle shifts in our perceptions we are able then to move forward in bigger ways that would not have been possible without them. Whether we like it or not, as tough as they often are to initiate, these small changes are the stuff. Moving ourselves out of our comfort zones is arguably the only way to growth, intellectually, emotionally, spiritually, physically and metaphysically. The metaphor of dropping of a pebble into the glass stillness of a lake is spot on here: the ripples fan out towards shore, bringing with it perhaps a nourishing drink that makes it just far enough up onto the shore to provide a drink for a flower that may have otherwise perished were it not for a timely, though seemingly insignificant, toss. These are the risks that have value, that have the potential to produce beauty. Without taking risks, we risk living life without beauty. Beauty in our ability to be generous. Patient. Tolerant. Alive, curious and excited to learn about the myriad of things we do not know or have only heard of.

I raise my glass to anyone reading this with my most sincere wishes that all our travels, wherever they take us, may nurture and raise our understanding to new pinnacles and give us fresh vantage points from which we are naturally inclined to take less and less of our life and times together for granted.

Latcho drom.

Gever Tulley save us from ourselves

At play with Stuart Brown

The Irony of Beauty

This is an astounding metaphor for our culture and the gravity of our situation as lifeforms on a planet we know next-to-nothing about:
enveloped by the inelegance of our current technology, with wires and all kinds of ugly schwack running up and down the walls surrounding and protecting him, Ed Lu is aboard the International Space Station. Technically, he IS out of our atmosphere and orbiting in space, though, he is only BARELY off-world. Consider the resources and history it took just to get him THIS far.
Meanwhile, he engages in this arguably “unproductive” act of pure beauty, playing a sonata written by a composer who’s been dead almost 200 years.
Ever so slowly but surely, this clip seems to make it all worth it:

Octopi Sophistica

via @pinktentacle

Pinballistic De-Evolution

thinfilms pf3H Pinballistic De EvolutionJason Kottke mentioned this post about the economics of pinball, which brings up questions about more than just what our all-time high scores were:

Black Knight brought pinball to a new level, literally speaking because it was among the first games with ramps and elevated flippers, but even more importantly because it brought a new challenge that drew in and solidified a pinball crowd. In doing so it also set the pinball market on a path that would eventually lead to its demise.

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Revisited: Do Schools Kill Creativity?

Michael Pollan and The Botany of Desire

Author Michael Pollan says:

The tulip, by gratifying our desire for a certain kind of beauty, has gotten us to take it from its origins in Central Asia and disperse it around the world. Marijuana, by gratifying our desire to change consciousness, has gotten people to risk their lives, their freedom, in order to grow more of it and plant more of it. The potato, by gratifying our desire for control, control over nature so that we can feed ourselves has gotten itself out of South America and expanded its range far beyond where it was 500 years ago. And the apple, by gratifying our desire for sweetness begins in the forests of Kazakhstan and is now the universal fruit. These are great winners in the dance of domestication.

The Pines : Tremolo

thinfilms 20090811 pines 39 The Pines : Tremolo

The Pines‘ latest album, Tremolo, has earned some great reviews fresh out of the chute, including
Penguin Eggs, which reviewed it in this month’s issue:

Potent, poignant, minimalist country from Iowans David Huckfelt and Benson Ramsey (son of Greg Brown sideman Bo, who produced this record). The duo spin spare, haunting melodies and imagistic words over deceptively gentle intertwinings of acoustic and electric guitar, stand-up bass, keys and drums.

But song after song, with soft, wearied voices, they reveal a lyrical world view both thoughtful and tough, keenly attuned to harsh realities and the glimpses of consolation that peek through the solitude and loss inherent in life. “We surrender, just to survive/ But no matter how hard you try/ No, you can’t put the tears/ Back into your eyes,” Ramsey sings (with the help of his dad) on Shiny Shoes. What’s remarkable is how such an unsentimental outlook is married to music at once so fragile, so gravid and, ultimately, beautiful. If I were a betting man, I’d say watch for this album on a lot of critics’ top 10 lists for 2009.

The Pines

The Rules

thinfilms  The RulesI was reading Michael Dahn’s blog the other day and found this particularly worth re-posting here:

“We can only lose what we cling to!”
– Buddha

Many of us live by a set of beliefs accumulated over the course of our lifetime. We use these rules to navigate the possibilities of life. Some of them are positive rules that save us (e.g. “Don’t touch a hot stove”) but some of them are limiting (e.g. “I can’t do it. It’s too hard”). Sometimes we have to stop and ask ourselves if the limitations in our life are self-imposed or actual. I believe that many times the rules by which we find ourselves constrained are self-imposed.

When life appears to be unfair, when bad things happen to good people, this is when you have the opportunity to give up or to change the rules of the game. It’s these game changing moves that enable you to conquer your fears in new and creative ways. You can change the rules of the game in several ways, here are but a few:

1. Change your beliefs: I live by the mantra that “nothing is impossible, the impossible just takes longer.” Why is it that we limit ourselves by what we think is impossible? Why do we obey the rules of our belief when our opponent does not? Why is it that we enable others to walk over us? Only by changing your belief can you break down the barriers that you have constructed and consider the possibility of out-of-the-box innovation.
2. Change the rules: In life many of us abide by a path that we feel has been laid our for us or is predestined to occur. We get frustrated when we feel deviations from that path in the same way we feel the rumble strip on the edge of the road. These path barriers move us in a direction that we “feel” is the “right path.” We cling to our path because it has been a part of us for so many years. Only when you accept variance in your path are you free and open to new possibilities. By accepting change and alternative outcomes we free ourselves to new futures and alternative happiness.

When we stop clinging to self-imposed beliefs and prescriptive paths we free within ourselves the possibility of the impossible.

Here are a few new rules that you may want to consider.

1. “Be the change you want to see in the world.” – Mahatma Gandhi
2. Do Something
3. “To thine own self be true.” – Shakespeare
4. Our lives are the stories we tell ourselves.
5. Don’t live by anyone else’s rules, go make your own.

Humans Swimming

thinfilms swimmingNCAA Humans SwimmingAre you a human? Do you like to swim? How about free-diving? How about static free diving?

The New Splinter Cell

Timeline: Special Effects

Joie de vivre

thinfilms france Joie de vivreI read this today in the Business Insider:

A new survey from UBS has shown that the French continue to work the least amount of hours per year in the world. Once again, the French have blown away the competition.

People work an average of 1,902 hours per year in the surveyed cities but they work much longer in Asian and Middle Eastern cities. People in Lyon and Paris, by contrast, spend the least amount of time at work according to the global comparison: 1,582 and 1,594 hours per year respectively.

Upon seeing this data, some might criticize the French for being lazy, but that misses the point completely. The real message here is that the French are likely some of the most productive people in the entire world.

Think about it. Nationmaster ranks France as #18 in terms of GDP per capita, at $36,500 per person, yet France works much less than most developed nations. They achieve their high standard of living while working 16% less hours than the average world citizen, and almost 25% than their Asian peers as per UBS. Plus, if you visit France you’ll also realize that their actual standard of living is probably much higher than GDP numbers would indicate.

Thus, if one were to divide France’s GDP per capita by actual hours worked, you’d probably find that the French are achieving some of the highest returns on work-hours invested. Labor Alpha, if you will.

We can actually calculate this Labor Alpha using statistics from Nation Master.

France has $36,500 GDP/Capita and works 1,453 hours per year. This equates to a GDP/Capita/Hour of $25.10. Americans, on the other hand, have $44,150 GDP/Capita but work 1,792 hours per year. Thus Americans only achieve $24.60 of GDP/Capita/Hour.

This puts the French Labor Alpha at about $0.50 GDP/Capita/Hour over the US. It may sound small at first, but add that up across millions of people, and a few decades. Now you’ve built a lesson for the rest of the world to learn.

Winning is not about working hard. It’s about working smart… and less. As the French know well.

Yacht Rockers live on!

thinfilms picresized 1251830862  1 Yacht Rockers live on!If there was ever any doubt that Yacht Rock would live on, may it be quashed by this and this and have a listen for yourself:

B A D A S S : HUDs

cheers to @drwave for turning me onto this:

one example of a music video

surely most of you have seen this before but i still watch it from time-to-time:

MIT Media Lab: Personas

Personas is a component of the Metropath(ologies) exhibit, currently on display at the MIT Museum by the Sociable Media Group from the MIT Media Lab. It uses sophisticated natural language processing and the Internet to create a data portrait of one’s aggregated online identity. In short, Personas shows you how the Internet sees you. Here’s one of mine but you can click on it to make it bigger and easier to read: thinfilms Picture 431 1024x273 MIT Media Lab: Personas

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Cranies (sic)

I received one of the most beautiful SMS’s ever today. Is that how we say SMS in the plural?

Doesn’t really matter. Case in point: “I received one of the most beautiful SMS’s ever today.”

It was from my father, who’s never cared much about his spelling, only about the message:

thinfilms 090805 poem paw 300x146 Cranies (sic)

Cheers, Pop.

Happy Birthday, by the way.

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