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Behind the Scenes: WIND

Behind the scenes with the Exploratorium, A Curious Summer and Tinkering Unlimited as they prepare to work with young learners to harness wind’s invisible power through discovering where it comes from and how to predict its behavior while studying aerodynamics and lift. Through tinkering with wind-powered machines and vehicles, such as a paragliding wing, turbines and sailboats and designing kites and gliders, this hands-on experience will open new doors into the mysterious power of WIND.

Tinkering School: Day 8

Go cart design, assembly and testing by the inimitable Team Tinker with snippets of boat model design and other moments of singular, whimsical tinkering mastery. Thanks to Moby for his song, Porcelain.

Tinkering School: Day 6

Think, Make, Tinker: Theo, Isaac, Leo, Max, Hannah, Nik, Sam, Jacob, Julie and Gever set off to test their inventions on Day 6 of Tinkering School. Nods to King of Hawaii for the groovy surf vibe.

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Tinkering School: Day 5

A few clips from the 5th day of Tinkering School:

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Neil Postman: Education as a Cure for Stupidity (Part I)

Who is Neil Postman?

Wanna watch more? I sure did. Click here.

Gever Tulley

thinfilms is pleased to have the honor of working with Gever Tulley this summer in San Francisco.

Gever is a gifted, self-taught computer scientist and developer, having started his professional career at age 16. He is an inspiration to me and to many, many others. His work with the Tinkering School enables children as both learners and teachers, working towards the goal of bringing the next generations back into touch with play, discovery and the other whimsical tools that put our minds in closer natural proximity to innovation.

Here’s Gever’s most recent talk at TED, worth watching because he explains this like no one else can:

Temple Grandin: The World Needs all kinds of Minds

Temple Grandin, diagnosed with autism as a child, talks about how her mind works — sharing her ability to “think in pictures,” which helps her solve problems that neurotypical brains might miss. She makes the case that the world needs people on the autism spectrum: visual thinkers, pattern thinkers, verbal thinkers, and all kinds of smart geeky kids.

Dakar


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As I write this, I am taking meds to fight off malaria. I am leaving for Dakar this morning for a week and the meds are a final, though ongoing, step in a series of vaccines administered to me en masse (The first of two rounds knocked me for a loop for a week. I had not ever felt that kind of energy depletion as my body immediately began building up antigens, fighting off the militia of micro-infections introduced into it) in preparation for the trip. The bottle told me to start taking them two days before entering the malaria risk zone. It says to take with food. It says to take them with plenty of water. It says to take one every day I am in the malaria risk zone. It says to continue taking them for 4 weeks after I return.

I should be surprised at the types of reactions I get upon telling others where I am headed and what steps I have have been required to take in order to be eligible to go, but I cannot say that I am, given the current mode of the media, especially in the West, full of anger and fear, some justified, though mostly misguided. The information given out at the infectious disease center is intimidating enough to make many change their travel plans. I have heard stories from others about these malaria meds who have experienced nightmares throughout the prescribed duration. This is all to say that the general culture in the developed world effectively conditions us to be afraid of anything that poses even the slightest amount of risk – and there are plenty of excuses around for us to use and give in to it.

Before today, I have not stepped foot upon the continent of Africa. I honestly do not know what I am expecting. When I think of Africa, the only images and ideas that come to mind are not my own. They are the images and sounds of films, emblazoned with romance and exotic, timeless beauty or violence and timeless unrest. Then there are the various agendas of the associated news agencies and television ad campaigns to raise money for the developing world, full of images chosen exclusively for their compelling attributes. All told, a polarized mix of love and hate, reverence and fear.

There are many ways of interpreting those messages. Realities are ethereal things, existential and elusive. They are relative, just like the physical. Like biology. What constitutes a cold to one person, requiring a trip to the doctor, may be just a sniffle to another. So they wait it out and in a couple of days they are just fine.

I do not know what we will eat there or if the water will agree with us. I do not know how I will fare in the heat of the day while filming the team. I do not even know if there will be enough electricity to power the equipment I will be using to shoot. I have learned what little I can about the region from what is posted on the CIA’s World Fact Book and related sites about the history, populations, languages, political and economic stability of the region. The work of Ben Herson, Democracy in Dakar, is some of the more current, compelling and poignant information out there and I am thankful for it – the struggle of the Senegalese people, politically similar to that in other regions of the world, is set apart by the conditions under which they muster the spirit to persevere in order to bring change and any improvement in their quality of life. How they manage to create such beautifully compelling art amidst such adversity and poor living conditions is a triumph in and of itself.

I do know that I feel a sense of mystique about it, having been so glorified by my own culture as a key piece of the anthropological record and also demonized for the strange differences of culture hidden within it. Is it natural for us to fear or discount what we do not understand? My culture has made the same mistakes as those that have gone before it – including insulating its people with convenience and luxury, softening minds and hardening hearts.

Naturally, I am invigorated by the idea of leaving these burdens behind if only for a few days. The mere thought of what it will be like to see, taste, smell, hear and feel Dakar for myself stirs butterflies of the best kind within. However, I am clumsy the way others are graceful. My only concern about the journey is making some bumbling move or inadvertently inconsiderate statement relating to something I take for granted in front of our less fortunate hosts. A good solution for this: I am focused on doing more listening and less talking, which should serve us all well. Being behind a camera lends itself to this.

The trip will mean something different to each of us on the team, though our primary goals are the same. One of the goals is clear: to move us out of the comfortable security of an illusion of our own design about the world. As I have said, the team is coming from a place of extraordinary comfort when compared to that of our hosts and our own struggles will be put promptly into new perspective. The other goal is to contribute to the construction of a house on behalf of Habitat for Humanity, which will power our third goal to create in the process a documentary of the journey, both for posterity and for the benefit of Habitat to use to promote their own future efforts. Our work shall leave an indelible impact on all of us.

In the case of the few who believe such a humble contribution is equivalent to a screw falling out of a deck chair off the back of the Queen Mary, they may have have a point of merit, given the obstacles between what is right and fair in the world and the sad fact that justice does not always prevail. Nonetheless, there are those who give up and those who, in the presence of great adversity, continue to do what they can to push the world to a better place. This is in line with something I read in my only surface-scratching study of the region’s primary religion – Islam:

None of you truly believes until he wishes for his brother what he wishes for himself – Number 13 of Imam – Al-Nawawi’s Forty Hadiths

Such thoughts are small changes in thought which act as catalysts for larger ones. Through subtle shifts in our perceptions we are able then to move forward in bigger ways that would not have been possible without them. Whether we like it or not, as tough as they often are to initiate, these small changes are the stuff. Moving ourselves out of our comfort zones is arguably the only way to growth, intellectually, emotionally, spiritually, physically and metaphysically. The metaphor of dropping of a pebble into the glass stillness of a lake is spot on here: the ripples fan out towards shore, bringing with it perhaps a nourishing drink that makes it just far enough up onto the shore to provide a drink for a flower that may have otherwise perished were it not for a timely, though seemingly insignificant, toss. These are the risks that have value, that have the potential to produce beauty. Without taking risks, we risk living life without beauty. Beauty in our ability to be generous. Patient. Tolerant. Alive, curious and excited to learn about the myriad of things we do not know or have only heard of.

I raise my glass to anyone reading this with my most sincere wishes that all our travels, wherever they take us, may nurture and raise our understanding to new pinnacles and give us fresh vantage points from which we are naturally inclined to take less and less of our life and times together for granted.

Latcho drom.

Gever Tulley save us from ourselves

The Irony of Beauty

This is an astounding metaphor for our culture and the gravity of our situation as lifeforms on a planet we know next-to-nothing about:
enveloped by the inelegance of our current technology, with wires and all kinds of ugly schwack running up and down the walls surrounding and protecting him, Ed Lu is aboard the International Space Station. Technically, he IS out of our atmosphere and orbiting in space, though, he is only BARELY off-world. Consider the resources and history it took just to get him THIS far.
Meanwhile, he engages in this arguably “unproductive” act of pure beauty, playing a sonata written by a composer who’s been dead almost 200 years.
Ever so slowly but surely, this clip seems to make it all worth it:

Henry Darger: In the Realms of the Unreal

#henrydarger
http://en.wikipedia.org/wiki/Henry_Darger
hats off for the tip from

The Perfect City

thinfilms david byrne The Perfect CityDavid Byrne is spot on with his thoughts for a perfect city:

A Talking Head Dreams of a Perfect City
The Wall Street Journal, September 11, 2009
By David Byrne

There’s an old joke that you know you’re in heaven if the cooks are Italian and the engineering is German. If it’s the other way around you’re in hell. In an attempt to conjure up a perfect city, I imagine a place that is a mash-up of the best qualities of a host of cities. The permutations are endless. Maybe I’d take the nightlife of New York in a setting like Sydney’s with bars like those in Barcelona and cuisine from Singapore served in outdoor restaurants like those in Mexico City. Or I could layer the sense of humor in Spain over the civic accommodation and elegance of Kyoto. Of course, it’s not really possible to cherry pick like this—mainly because a city’s qualities cannot thrive out of context. A place’s cuisine and architecture and language are all somehow interwoven. But one can dream.

>>> read the rest via DavidByrne.com

Michael Pollan and The Botany of Desire

Author Michael Pollan says:

The tulip, by gratifying our desire for a certain kind of beauty, has gotten us to take it from its origins in Central Asia and disperse it around the world. Marijuana, by gratifying our desire to change consciousness, has gotten people to risk their lives, their freedom, in order to grow more of it and plant more of it. The potato, by gratifying our desire for control, control over nature so that we can feed ourselves has gotten itself out of South America and expanded its range far beyond where it was 500 years ago. And the apple, by gratifying our desire for sweetness begins in the forests of Kazakhstan and is now the universal fruit. These are great winners in the dance of domestication.

Royal de Luxe – LE RENDEZ-VOUS DE BERLIN, DAS WIEDERSEHEN VON BERLIN

Royal de Luxe – LE RENDEZ-VOUS DE BERLIN, DAS WIEDERSEHEN VON BERLIN from Nina. on Vimeo.

Xuggler

If you’ve ever fumbled around with ffmpeg and other tools, there is a superior alternative I was turned onto today by Paul Gregoire via his blog: Xuggler!

The Media Tools are particularly of use to folks like me – how suhweeet is this?

Humans Swimming

thinfilms swimmingNCAA Humans SwimmingAre you a human? Do you like to swim? How about free-diving? How about static free diving?

The New Splinter Cell

satellite browser

NASA hopes we enjoy J-Track 3-D.

Clicking on the thumbnail below or here or there will activate JTrack3D and it will appear in its own window and begin loading a database of over 900 satellites.

What you will see (presuming the system you’re on supports Java) is a plot in 3-dimensions showing the position of these satellites. Choose them all from the pull-down menu.

If your system isn’t currently supporting Java, skip the conniption, there are also some satellites that can be viewed without it:

thinfilms Picture 111 150x150 satellite browser

B A D A S S : HUDs

cheers to @drwave for turning me onto this:

one example of a music video

surely most of you have seen this before but i still watch it from time-to-time:

Remembering the contributions of Phil Dodds

thinfilms philip vw dodds Remembering the contributions of Phil Dodds

Mark Oehlert, an acquaintance of mine via Twitter, turned me onto his friend Phil Dodds, who turns out was not only in the film Close Encounters of the Third Kind, but contributed a great deal to our culture in his short life, including, but not limited to, SCORM:

From Wikipedia:

He was the chief architect of the Sharable Content Object Reference Model (SCORM) under the guidance of the Advanced Distributed Learning (ADL) Initiative, a project of the United States Department of Defense. The ADL SCORM is widely perceived as a means to achieve interoperability, accessibility and reuse of the component pieces of web-based instruction, irrespective of Learning Management Systems. Philip’s work on SCORM will continue as hundreds of organizations around the world continue their collective efforts to resolve remaining issues associated with SCORM’s Simple Sequencing Models, such as a lack of common instructional strategies and taxonomies (common definitions) for learning objects.

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This is only the second largest aquarium in the world

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Sirikata : BSD-licensed platform for virtual worlds

Sirikata is an BSD licensed open source platform for virtual worlds. The aim is to provide a set of libraries and protocols which can be used to deploy a virtual world, as well as fully featured sample implementations of services for hosting and deploying these worlds. The team is aiming for an alpha release in Q2 2009 and this video teaser should give us some sense of what to expect.

Exciting stuff.

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the power of stats

perspective : technology integration and learning

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