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Baby, life is what you make it

thinfilms daschel week21 300x179 Baby, life is what you make itI have heard everyone say it. If I had to, I could not count how many times my pals with kids have asked, “So when are you going to be a dad?” or “How come you don’t have any kids yet?” For years I fielded kind words from my friends who considered me well suited for it, who wondered aloud why I was taking so long. For years I thought they were mad for giving up so much of their free time.

Meanwhile, I was spending mine on every indulgence. Travel, people, ideas, experiences. I do not know what boredom is. Put me in a room and I can occupy myself indefinitely. I was missing something. It was great sometimes. It was also unfulfilling. Eventually I grew stymied by my own modest successes. Eventually, without any sacrifice, without a reason, one day I woke up and began to allow the idea in – that it all meant very little. Matt Johnson wrote it best as a sarcastic anthem to the selfish side of being human, True Happiness This Way Lies:

Have you ever wanted something so badly that it possessed your body and your soul? Through the night and through the day until you finally get it – and then you realize that it wasn’t what you wanted after all? And then those self-same, sickly little thoughts now go and attach themselves to something or somebody new and the whole goddam thing starts all over again…

I am grateful for many things and thank the gods moment to moment for each of them, not least of which is this mother of all adventures. I thought I knew what true collaboration was. I thought I had an idea of how much I had to learn about patience and taking care of myself. There was a time I presumed to be standing on the edge of understanding what was important to me. It may have been practice or it may have just been wasting time. Now, I am learning a kind of generosity I did not know I was capable of. Somehow, there are more authentic versions of such heavy things following me around like sauntering breezes tumbling leaves around my ankles. I have at last been introduced to myself. Looking into the eyes of your own child does that. My pals were hardly kidding.

thinfilms IMG 15881 300x285 Baby, life is what you make itTonight my little boy lies here over my shoulder, asleep. Inspired by this picture of Daschel and I, taken by his mother, I write this as I snuggle him and rub his face gently with the back of my hand. I am at this and each passing moment fully aware of him, his mother, our life, and my impact on it. This is now the definition of success. Whatever I used to care about, whatever I once thought important is dust. You better believe this is everything it is cracked up to be. If there is a bigger, more ultimate, adventure I would love to know what it is. I am grateful I did not miss out.

We wished for him, you see, his mother and I. We both wanted nothing more than to be parents. Each of us, alone, from the midst of our previous and interesting (albeit unsatisfying) lives daydreamed a child of our own. A miraculous occurrence. Here he is looking at me (with just one eye now, he’s getting snoozy). In that previous life I would have quietly asked myself, “What are the chances of that?”

Now, I know better. Things just got more interesting than I could have imagined.

One day I will fruitlessly try explaining this to him, knowing full well he will merely have to stumble around until he discovers it on his own as I did. I will likely blather on saying something like, “Baby, life is what you make it. Thoughts become things. Choose only the best ones.”

From the Water

thinfilms water droplet 300x218 From the Water I think about water. A lot. I think about water because it has this exquisite power: water can change dramatically while retaining its original properties. It morphs into unrecognizably different states of matter while continuing to be itself, unaltered.

It is easy to resist change. We are conditioned against it in most of our cultures, generally speaking. Is it a natural reflex to resist it? Many of us make great sacrifice to avoid it. Laws are written and put into place to stymy it. Large, expensive buildings are built to protect against it. Minds are made up against it and reject ideas that even hint at it. Blockades of all sorts are built against experience that may lead to it. The fights against it use energy we don’t even have to spare. In some cases, some put themselves at risk in the process physically, emotionally. Heavy stuff.

Steeped in a culture of change, I anticipate it, ride it, enjoy and thrive in it. They say change is the only thing that stays the same so, even as a child, it was clear: why not make friends with it and welcome such opportunities for growth and learning? I owe my resiliency to having a family that faced many changes and stayed together through each and every one, relying on change, even as it was difficult. We collectively and individually learned to make the most of each one and find lessons in change that could not have been learned from any school. We taught ourselves to live better through it and within it. I owe the quality of my life and my capacity for experience to these lessons and to my family for providing access to them.

Wherever I go I meet people who spend a lot of time, energy, and resources fighting change. Inevitably change wins out and I am forced then to watch them tire and cave into it reluctantly, sometimes painfully. I try and not speak during such situations. I have only the choice to let others make their own mistakes in whatever way they choose. There is no other way to learn. We can try to tell them to just let change take them on the ride and enjoy it, but that doesn’t work. It only inspires them to resist more zealously.

I think about water. While I’m watching those I barely know or those I love with all my heart as they adapt to change, I think about water. I think about how long water has been doing it, changing, adapting, enduring, and yet it does not really change. Water does not waste time or energy in the face of the inevitable. It literally just rolls with it. It finds a way around obstacles. Every time.

I think about children, too. In children lies this spirit, willing to explore change, even revel in it. Somewhere along the line most of us seem to lose touch with a kind of innocent tenacity, the way a child solves a problem in play. The effort to change is transparent in children, like water. They have the ability to exhaustively problem-solve using none of the biased doubt (I call it ‘obstructionism’) often found in grown-ups. We make excuses and use our amazing brain-machines to come up with answers for everything, or create atmospheres of resistance, even subconsciously trying to derail change, arrogantly, ignorantly, trying everything except friendly solutions to accepting it and making it work for us.

Being afraid is no fun. It causes stress. It is no good. It affects everyone around us while we give into it. My strategies for dealing with it is this: I think about water. I think about children. Mostly water. I come from the water.

Heroes and Icons

thinfilms r2 300x225 Heroes and IconsHow do you choose your heroes and icons?

In 1977, I was 5 years old when my parents took me to my first movie but, it wasn’t just a movie, it was a drive-in movie. The movie? Star Wars. Needless to say, it flipped me right out.

Unlike most of my pals, who were drawn to Luke or Chewbacca or Han or whatever, I was obsessively drawn to R2-D2. I wasn’t just into R2, I wanted to BE R2. Something about his character, his utility, his outright usefulness in so many contexts and situations captivated and appealed to me. So, my room had models of R2 on the shelves, my bedside table had an R2 alarm clock, my watch was an homage to R2, and my birthday cakes were more than once adorned with his image in crystalline sugar.

The obsession continued throughout my elementary and middle school years. I might even say it never actually ended. I saw, and continue to see, his influence everywhere. In the functionality of tools, vehicles, and other simple machines, devices, industrial design, consumer gadgets, and systems theories.

Here’s the thing: R2′s sheer ability, willingness, and selflessness to adapt so readily, without fear or delay, to so many challenges on behalf of the goals of his peers inspired me as my family moved around. As a kid, I was constantly having to adapt to new environments, new geographic layouts, people, styles, vocabularies, dialects, the whole thing. Since that wasn’t easy, I often imagined what R2 would do, moving through situations as if I were him, though slightly taller and more maneuverable. Just the idea of him, imagining myself as having his chutzpah, gave me confidence when I needed it and, I admit, continues to influence me to this day. Silly? So what?

Imagination makes us powerful. As children we imagine ourselves as someone else, someone more capable of accomplishing what we feel we cannot. It is through these personas many of us are able to make our first, significant achievements. Whether faced with the adversity of a spelling bee, school play, or the playground rights of passage, we resort to the power of our imagination to envision ourselves accomplishing something seemingly beyond our reach. As we age, some of us seem to either pull back on this while others expand on it and, in some cases, become Jack Whites, Oprah Winfreys, and Michael Jordans.

Success pivots on something simple: the will to believe.

Get Low

If you have not yet seen this film, you have it to look forward to:

Dr. Walter Soboleff

This piece speaks for itself:

Tabula Rasa

thinfilms tabularasa 229x300 Tabula RasaFrom Wikipedia:

Tabula rasa is the epistemological thesis that individuals are born without built-in mental content and that their knowledge comes from experience and perception. Generally proponents of the tabula rasa thesis favour the “nurture” side of the nature versus nurture debate, when it comes to aspects of one’s personality, social and emotional behaviour, and intelligence. The term in Latin equates to the English “blank slate” (which refers to writing on a slate sheet in chalk) but comes from the Roman tabula or wax tablet, used for notes, which was blanked by heating the wax and then smoothing it to give a tabula rasa.

Of course, this debate has since taken a different route as put forth here by the inimitable Evelyn Fox Keller. All quite interesting enough.

Tinkering School: Day 6

Think, Make, Tinker: Theo, Isaac, Leo, Max, Hannah, Nik, Sam, Jacob, Julie and Gever set off to test their inventions on Day 6 of Tinkering School. Nods to King of Hawaii for the groovy surf vibe.

touch here to view on iPad or iPhone

Honey, it really works

thinfilms honey 200x300 Honey, it really worksWhen I first moved away from Alaska nearly 5 years ago, there was one thing I wasn’t anticipating having to deal with: allergies. For years I was allergy-free living in the Pacific Northwest and Alaska. That all changed quickly upon making my new home in the Middle West.

I tried over-the-counter remedies, which left me feeling speedy and just “off” until one of my pals told me about the solution: locally made honey.

Honey has anti-microbial properties and has for centuries been used for medicinal purposes of all sorts, including as a dressing for serious wounds. It’s also high in antioxidants and tastes real good on cereals, in sauces, lemonade and all kinds of stuff. Still, the most interesting use I’ve ever heard of for honey is as a natural remedy for seasonal allergies. According to various natural health practitioners, pollen found in locally-grown raw honey works over time to desensitize the body to allergens much like traditional allergy shots work.

It’s working for me. The season so far has been allergy-free, even amidst rumblings from pals that it is unseasonably allergy-ish, and I would like to thank the East Side Co-op for selling multiple varieties of the stuff – it’s saved my sanity and made my summer completely enjoyable again. Thanks, bees and beekeepers out there : )

The Man’s Guide to Love

All over the country, these folks have been asking men:

“If you had one piece of advice that you’d give another man about love, what would it be?”

Click the photo to see and listen to their answers:thinfilms Picture 5 300x197 The Mans Guide to Love

Neil Postman: Education as a Cure for Stupidity (Part I)

Who is Neil Postman?

Wanna watch more? I sure did. Click here.

Gever Tulley

thinfilms is pleased to have the honor of working with Gever Tulley this summer in San Francisco.

Gever is a gifted, self-taught computer scientist and developer, having started his professional career at age 16. He is an inspiration to me and to many, many others. His work with the Tinkering School enables children as both learners and teachers, working towards the goal of bringing the next generations back into touch with play, discovery and the other whimsical tools that put our minds in closer natural proximity to innovation.

Here’s Gever’s most recent talk at TED, worth watching because he explains this like no one else can:

Ken Burns on filmmaking

If you wanted to be a doctor or a lawyer or a feature film I could tell you the steps to take to do that, but every working documentary filmmaker I know has gotten there through their own unique path. There is no career path.

Nature by Numbers

via @datavis:

Dakar


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As I write this, I am taking meds to fight off malaria. I am leaving for Dakar this morning for a week and the meds are a final, though ongoing, step in a series of vaccines administered to me en masse (The first of two rounds knocked me for a loop for a week. I had not ever felt that kind of energy depletion as my body immediately began building up antigens, fighting off the militia of micro-infections introduced into it) in preparation for the trip. The bottle told me to start taking them two days before entering the malaria risk zone. It says to take with food. It says to take them with plenty of water. It says to take one every day I am in the malaria risk zone. It says to continue taking them for 4 weeks after I return.

I should be surprised at the types of reactions I get upon telling others where I am headed and what steps I have have been required to take in order to be eligible to go, but I cannot say that I am, given the current mode of the media, especially in the West, full of anger and fear, some justified, though mostly misguided. The information given out at the infectious disease center is intimidating enough to make many change their travel plans. I have heard stories from others about these malaria meds who have experienced nightmares throughout the prescribed duration. This is all to say that the general culture in the developed world effectively conditions us to be afraid of anything that poses even the slightest amount of risk – and there are plenty of excuses around for us to use and give in to it.

Before today, I have not stepped foot upon the continent of Africa. I honestly do not know what I am expecting. When I think of Africa, the only images and ideas that come to mind are not my own. They are the images and sounds of films, emblazoned with romance and exotic, timeless beauty or violence and timeless unrest. Then there are the various agendas of the associated news agencies and television ad campaigns to raise money for the developing world, full of images chosen exclusively for their compelling attributes. All told, a polarized mix of love and hate, reverence and fear.

There are many ways of interpreting those messages. Realities are ethereal things, existential and elusive. They are relative, just like the physical. Like biology. What constitutes a cold to one person, requiring a trip to the doctor, may be just a sniffle to another. So they wait it out and in a couple of days they are just fine.

I do not know what we will eat there or if the water will agree with us. I do not know how I will fare in the heat of the day while filming the team. I do not even know if there will be enough electricity to power the equipment I will be using to shoot. I have learned what little I can about the region from what is posted on the CIA’s World Fact Book and related sites about the history, populations, languages, political and economic stability of the region. The work of Ben Herson, Democracy in Dakar, is some of the more current, compelling and poignant information out there and I am thankful for it – the struggle of the Senegalese people, politically similar to that in other regions of the world, is set apart by the conditions under which they muster the spirit to persevere in order to bring change and any improvement in their quality of life. How they manage to create such beautifully compelling art amidst such adversity and poor living conditions is a triumph in and of itself.

I do know that I feel a sense of mystique about it, having been so glorified by my own culture as a key piece of the anthropological record and also demonized for the strange differences of culture hidden within it. Is it natural for us to fear or discount what we do not understand? My culture has made the same mistakes as those that have gone before it – including insulating its people with convenience and luxury, softening minds and hardening hearts.

Naturally, I am invigorated by the idea of leaving these burdens behind if only for a few days. The mere thought of what it will be like to see, taste, smell, hear and feel Dakar for myself stirs butterflies of the best kind within. However, I am clumsy the way others are graceful. My only concern about the journey is making some bumbling move or inadvertently inconsiderate statement relating to something I take for granted in front of our less fortunate hosts. A good solution for this: I am focused on doing more listening and less talking, which should serve us all well. Being behind a camera lends itself to this.

The trip will mean something different to each of us on the team, though our primary goals are the same. One of the goals is clear: to move us out of the comfortable security of an illusion of our own design about the world. As I have said, the team is coming from a place of extraordinary comfort when compared to that of our hosts and our own struggles will be put promptly into new perspective. The other goal is to contribute to the construction of a house on behalf of Habitat for Humanity, which will power our third goal to create in the process a documentary of the journey, both for posterity and for the benefit of Habitat to use to promote their own future efforts. Our work shall leave an indelible impact on all of us.

In the case of the few who believe such a humble contribution is equivalent to a screw falling out of a deck chair off the back of the Queen Mary, they may have have a point of merit, given the obstacles between what is right and fair in the world and the sad fact that justice does not always prevail. Nonetheless, there are those who give up and those who, in the presence of great adversity, continue to do what they can to push the world to a better place. This is in line with something I read in my only surface-scratching study of the region’s primary religion – Islam:

None of you truly believes until he wishes for his brother what he wishes for himself – Number 13 of Imam – Al-Nawawi’s Forty Hadiths

Such thoughts are small changes in thought which act as catalysts for larger ones. Through subtle shifts in our perceptions we are able then to move forward in bigger ways that would not have been possible without them. Whether we like it or not, as tough as they often are to initiate, these small changes are the stuff. Moving ourselves out of our comfort zones is arguably the only way to growth, intellectually, emotionally, spiritually, physically and metaphysically. The metaphor of dropping of a pebble into the glass stillness of a lake is spot on here: the ripples fan out towards shore, bringing with it perhaps a nourishing drink that makes it just far enough up onto the shore to provide a drink for a flower that may have otherwise perished were it not for a timely, though seemingly insignificant, toss. These are the risks that have value, that have the potential to produce beauty. Without taking risks, we risk living life without beauty. Beauty in our ability to be generous. Patient. Tolerant. Alive, curious and excited to learn about the myriad of things we do not know or have only heard of.

I raise my glass to anyone reading this with my most sincere wishes that all our travels, wherever they take us, may nurture and raise our understanding to new pinnacles and give us fresh vantage points from which we are naturally inclined to take less and less of our life and times together for granted.

Latcho drom.

At play with Stuart Brown

The Irony of Beauty

This is an astounding metaphor for our culture and the gravity of our situation as lifeforms on a planet we know next-to-nothing about:
enveloped by the inelegance of our current technology, with wires and all kinds of ugly schwack running up and down the walls surrounding and protecting him, Ed Lu is aboard the International Space Station. Technically, he IS out of our atmosphere and orbiting in space, though, he is only BARELY off-world. Consider the resources and history it took just to get him THIS far.
Meanwhile, he engages in this arguably “unproductive” act of pure beauty, playing a sonata written by a composer who’s been dead almost 200 years.
Ever so slowly but surely, this clip seems to make it all worth it:

Michael Pollan and The Botany of Desire

Author Michael Pollan says:

The tulip, by gratifying our desire for a certain kind of beauty, has gotten us to take it from its origins in Central Asia and disperse it around the world. Marijuana, by gratifying our desire to change consciousness, has gotten people to risk their lives, their freedom, in order to grow more of it and plant more of it. The potato, by gratifying our desire for control, control over nature so that we can feed ourselves has gotten itself out of South America and expanded its range far beyond where it was 500 years ago. And the apple, by gratifying our desire for sweetness begins in the forests of Kazakhstan and is now the universal fruit. These are great winners in the dance of domestication.

Humans Swimming

thinfilms swimmingNCAA Humans SwimmingAre you a human? Do you like to swim? How about free-diving? How about static free diving?

Salt

thinfilms salt word m SaltFrom Wikipedia: Chloride and sodium ions, the two major components of salt, are necessary for the survival of all known living creatures, including humans. Salt is involved in regulating the water content (fluid balance) of the body.

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Do YOU Drink Wilkins?

If only commercials were still as cool as these for Wilkins Coffee – thanks to Pierre for the tip – made my day : )

Here’s the [Beef] Genome

thinfilms beef cattle Heres the [Beef] Genome

By David Brown
Washington Post Staff Writer
Friday, April 24, 2009

The genomes of man and dog have been joined in the scientific barnyard by the genome of the cow, an animal that walked beside them on the march to modern civilization.

A team of hundreds of scientists working in more than a dozen countries yesterday published the entire DNA message — the genome — of an 8-year-old female Hereford living at an experimental farm in Montana.

Hidden in her roughly 22,000 genes are hints of how natural selection sculpted the bovine body and personality over the past 60 million years, and how man greatly enhanced the job over the past 10,000.

As with other species, genes governing the immune system, the metabolism of nutrients and social interaction appear to be where much of the evolutionary action has occurred. The result is an animal that lives peacefully in herds and grows large on low-quality food, thanks to the billions of bacteria it carries around.

Selective breeding has exaggerated and spread some of those traits, producing hyper-passive Holsteins and muscle-bound Belgian Blues, and dozens of humpbacked breeds that combine characteristics of both.

[read more of this]

the power of stats

perspective : technology integration and learning

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Tag : Complete

Tag isn’t just a documentary, it’s a chad-calease-made odyssey on the subject of a game that touches everything we do.

Enjoy the trailer.

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In the Beginning was the Command Line

thinfilms x11467 In the Beginning was the Command Line

My pal Steve turned me on to this essay, written in 1999 by Neil Stephenson.

Highly recommended.

Here’s an excerpt :

If I can risk a broad generalization, most of the people who go to Disney World have zero interest in absorbing new ideas from books. Which sounds snide, but listen: they have no qualms about being presented with ideas in other forms. Disney World is stuffed with environmental messages now, and the guides at Animal Kingdom can talk your ear off about biology.

If you followed those tourists home, you might find art, but it would be the sort of unsigned folk art that’s for sale in Disney World’s African- and Asian-themed stores. In general they only seem comfortable with media that have been ratified by great age, massive popular acceptance, or both.

In this world, artists are like the anonymous, illiterate stone carvers who built the great cathedrals of Europe and then faded away into unmarked graves in the churchyard. The cathedral as a whole is awesome and stirring in spite, and possibly because, of the fact that we have no idea who built it. When we walk through it we are communing not with individual stone carvers but with an entire culture.

Disney World works the same way. If you are an intellectual type, a reader or writer of books, the nicest thing you can say about this is that the execution is superb. But it’s easy to find the whole environment a little creepy, because something is missing: the translation of all its content into clear explicit written words, the attribution of the ideas to specific people. You can’t argue with it. It seems as if a hell of a lot might be being glossed over, as if Disney World might be putting one over on us, and possibly getting away with all kinds of buried assumptions and muddled thinking.

But this is precisely the same as what is lost in the transition from the command-line interface to the GUI.

Disney and Apple/Microsoft are in the same business: short-circuiting laborious, explicit verbal communication with expensively designed interfaces. Disney is a sort of user interface unto itself–and more than just graphical. Let’s call it a Sensorial Interface. It can be applied to anything in the world, real or imagined, albeit at staggering expense.

If you wish, you can download and read his essay in its entirety here.

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